Author: JD

Grammy-Nominated Group Jagged Edge Gives “Hope” To Fans

By Paul Milliken, Good Day Atlanta feature reporter – bio | email Atlanta R&B group Jagged Edge is back — and on a mission to bring strong songs back to radio. The Grammy-nominees — known for hits like “Let’s Get Married” — released new single “Hope” on Tuesday. The guys wrote and co-produced the single, which was recorded in Atlanta at Jermaine Dupri’s Southside Studios. Jagged Edge is currently working on a new album, expected to be in-stores in September. Good Day Atlanta’s Paul Milliken got the chance to chat with Jagged Edge in the studio — and hear the new song. Click the video above to check it out!

Beats Headphones Banned at World Cup (Which May Be Exactly What They Wanted)

It’s been a surprising week for World Cup fans, with reigning champion Spain eliminated, heavily-favored Brazil struggling and the U.S. somehow beating Ghana, despite Jozy Altidore’s hamstring injury. But perhaps more unexpected is Beats By Dre’s headphones being hamstrung by a ban from FIFA at the global sporting event. Or perhaps that was the plan all along. According to a Reuters report, the soccer governing body FIFA is not allowing players to wear the cans with the now-famous logo in all World Cup stadiums during official matches and media events because of an official licensing agreement FIFA has with Sony Corp, which reportedly provided tournament players with their brand of headphones. FIFA and Beats did not immediately respond to a request for comment. Related Articles How Beats By Dre Got Their Headphones On Olympians’ Ears (Despite Violating IOC Policy) New Jay Z Remix Available Only on Beats Music Jimmy Iovine’s ‘Secret iPod’: How ‘Jungle’ Became the New Beats Song The dustup comes just as Beats launches the biggest ad campaign in its six-year history, with its “Game Before the Game” short film. The World Cup spots the company has bought coincide with Beats’ launch of Solo 2, a new version of the company’s best-selling headphones. The brand is rolling out several short-form versions for the campaign with a series of TV commercials in more than nine countries and in five different languages. The marketing term for running an ad campaign that harnesses an existing campaign’s momentum — without actually being an official sponsor — is “ambush marketing.” Beats employed a similar strategy during the 2012 Summer Olympics, when it sent athletes their headphones, despite not being an official sponsor. The practice, while not uncommon, is a delicate balance, risking both infringing on official sponsors’ territory and provoking a lawsuit while getting its message out. When Billboard recently asked Beats president Luke Wood about the supposed ambush marketing strategy for the World Cup and Olympics campaigns, a p.r. representative quickly interjected, calling for another line of questioning. “We don’t ambush market,” the rep said. “Music and sports are our sweet spot, so we just end up having a place there.” While the “place” would seem exquisitely timed to major sporting events with official sponsors, another marketing theory suggests getting called out for an ambush marketing campaign and having your product “banned” from official events only helps further said brand’s visibility and authenticity. Beats is using the “Game Before the Game” campaign to promote its  Beats Music streaming service. Earlier this week, Jay Z released an exclusive remix of the campaign’s theme song “Jungle” by the X Ambassadors and Jamie N Commons that ran within a Beats ad (below) during the NBA finals. The song is only available exclusively for its first week of release through Beats Music. Both the X Ambassadors and Jamie N Commons are signed to Alex Da Kid’s KIDinaKORNER label, a subsidiary of Interscope — tied to the Beats brand via Jimmy Iovine, the company’s former head and a co-founder of the Beats brand.

Harley-Davidson LiveWire Electric Motorcycle Concept

HARD!!! LiveWire is Harley’s attempt to meld the brand’s classic style with latest technology. The electric concept sports a 74-horsepower electric motor that generates 52 pound-feet of torque. The bike has a top speed of 92 mph, and a range of 53 miles. There is a lithium-ion battery pack that can be recharged in 3.5 hours.

Pretty Tony Texts: Ghostface Killah Emojis Now Available

Today marks the launch of Hi­-Art for iOS – Founded by Nico Dios, whose rich history includes being a part of NYC’s legendary culture-shifting graffiti crew IRAK, the first sticker packs come from the likes of Ghostface, Claw Money, Ron English, Dust La Rock, The Seventh Letter and more – while secondary packs from Fool’s Gold and Steve “ESPO” Powers are in the works as well. Currently there are more than 1,000 stickers available through Hi-Art’s app – with about 60 % of the stickers being free and the others ranging in price between $0.99-$1.99 USD.

ASCAP Submits Licensing Reform Recommendations to US Copyright Office

As part of our ongoing efforts to modernize music licensing, ASCAP recently submitted a set of music licensing recommendations to the US Copyright Office. The recommendations came in response to the Copyright Office’s Notice of Inquiry for comments related to its study of the effectiveness of existing methods of licensing music. Our comments acknowledge that music is now enjoyed by more people, in more places and over more devices than ever. But the outdated regulatory system that governs how new services are licensed has failed to keep pace, making it increasingly difficult for music creators to earn a competitive return for their creative efforts. Click to read our full comments We made the following points about how to move music licensing forward in the digital age: 1) The antiquated ASCAP Consent Decrees must be updated or eliminated Instead of ensuring that copyright owners and licensees are negotiating on equal footing, the current ASCAP Consent Decree with the Department of Justice has allowed licensees — particularly new media services — to exploit certain provisions to the detriment of songwriters, composers and music publishers who depend on public performance royalties for their livelihoods. The simplest solution is the elimination (or sunset) of the Consent Decree. It no longer serves its intended purpose, and puts ASCAP and its members at a competitive disadvantage. 2) The current rate court process hinders the effectiveness of collective licensing Rate court proceedings have become extremely time- and labor-intensive, costing the parties millions in litigation expenses, without resulting in fair market rates for writers and publishers. In addition, Section 114(i) of the Copyright Act has perpetuated a disparity in the compensation provided to songwriters for the use of their songs, compared to the compensation provided to record companies for the use of their sound recordings. If left unchecked, these developments threaten the viability of collective licensing in the US – which will hurt writers, publishers, consumers and new services alike. Here’s what we propose: Shift to rate-setting through expedited private arbitration instead of rate court Establish an evidentiary presumption that direct licenses, negotiated voluntarily between copyright holders and licensees, provide the best evidence of reasonable rates Allow new media services to secure licenses from PROs on a bundled basis Allow PROs to accept partial grants of rights from its members These proposed changes will benefit all constituencies in the music licensing marketplace. For consumers, these changes will ensure access to a broad range of music at a fair price. For music licensees, they will ensure continued access to the music they want at a reasonable rate. And for the songwriters and composers who are the foundation of the rapidly changing music ecosystem, they will ensure fair compensation for their creative works so that they can continue to write the songs we all enjoy. Read the full text of our comments to the Copyright Office for more details.

mophie juice pack plus and PRO “Outdoor Edition”

The devices comes equipped with a dedicated GPS and feature an “Outdoor Edition” app which you can use to track to record a detailed map of your journey, speed, distance, elevation and even geo-tagged photos, with more than 5 million miles of high-def maps. For added protection, the PRO has a military-grade protection with the juice pack plus featuring a hard-case rubberized outer band, in case you bump into any rough terrain. The ”Outdoor Edition” juice packs are now available at select mophie retailers.