Author: JD

Fujifilm Unveils Selfie-Ready X-A2

Fujifilm, a long-running veteran in shaping the way people utilize photography, has recently produced an update to their previous X-A1 model by incorporating a rotating 175-degree tilt feature to the camera’s 3-inch LCD screen, facilitating self-portrait capture for the selfie-obsessed amateur photographer. Paired with an XC 16-50mm II F3.5-5.6 OIS lens, the X-A2 features Wi-Fi capability, a 12 Megapixel 2/3” X-Trans CMOS II sensor with phase detection, and an EXR Processor II that enables rapid autofocus speed of up to 0.06 seconds. A user-friendly interface with all the technical bells and whistles you want from compact system camera, the X-A2 is a significant step up from the ubiquitous mobile-captured selfie.   The Fujifilm X-A2 will be available in February and is set at a retail value of $549.95.

Google puts Nest’s Tony Fadell in charge of Google Glass

The fate of Google Glass has been up in the air these past few months, as developers seem to have stopped paying attention to the new-age eyewear and Glasshole sightings have decreased significantly. But Glass isn’t done yet: Google’s announcing today Glass is “graduating” from the Google X experimental projects incubator to become its own independent division — a division that will report into Nest’s Tony Fadell. Current Glass head Ivy Ross will retain day-to-day authority, but she’ll report to Fadell. Nest itself will remain separate and independent, and Tony will still be in charge there as well. TAKING OVER GLASS REPRESENTS THE FIRST SIGNIFICANT EXPANSION OF FADELL’S AUTHORITY AT GOOGLE Growing up means leaving some things behind, though: the Google Glass Explorer program is being shut down after two years, and there’s no word on what the next Glass products might look like. Google says the Glass At Work program will carry on, but overall the company isn’t giving any timelines on new products. More broadly, taking over Glass represents the first significant expansion of Fadell’s authority since Google bought Nest for $3.2 billion almost exactly a year ago. It always seemed a given that Google would try and make better use of Fadell’s hardware expertise — before Nest, Fadell was in charge of the iPod and iPhone projects at Apple — and the troubled Glass project is an interesting place to use his skills to try and crack a new market. (Just think about it: Tony making the HTC- and Motorola-built Nexus phones slightly better won’t do a lot, but if he can figure out Glass Google will open up entirely new ways of computing.) If nothing else, it’s going to be interesting.

Camu Brings Its All-In-One Camera App, Photo Editor And Mobile Messenger To Android

Camu, a mobile app for editing photos and video that was earlier named one of the App Store Best of 2014 applications following its launch this past August, is now available to Android users after receiving 3 million downloads via iTunes. The app is designed to simplify the process of shooting, editing then sharing photos and videos by offering the ability to do many of the more common photo-editing tasks, like creating collages or adding text, all in one application. While many users today do their photo or video edits after the fact, Camu instead offers “live” filters that let you pick filters both before and after shooting, while also letting you make on-screen clarity adjustments, giving you the ability to shoot your photo collages live, and afterwards, quickly make simple edits via techniques like blurring, zooming, or adding text. A “super-focus” mode lets you add depth-of-field to images. Meanwhile, Camu’s “auto mode” setting is specifically designed for selfies – it doesn’t take the shot until it detects there’s no movement visible. But while the feature line-up itself is only somewhat differentiated from a number of photo editors, the simplicity and design of Camu is appealing. In addition, the app can serve as a mobile messenger for photo-sharing, allowing users to share directly with other friends using the app, or to networks like Instagram, Facebook, Twitter, and more.     With the Android release, the company has added a couple of new features, including live video filters and a Tinder-like “keep” or “delete” feature for the content shared with you on Camu from other users. That is, you swipe one way to save the content, and another way to trash it. (These features have been added to the iOS version of the app as well.) Sumoing, the company behind Camu, includes a team of designers and engineers from the “Nokia cluster” in Helsinki, Finland. Their first iOS app called Repix, which combines photo editing and painting, was launched in early 2013 and has now been downloaded over 13 million times. Camu for Android is live now on Google Play.

MARIAH CAREY ANNOUNCES LAS VEGAS RESIDENCY

Mariah Carey is setting up shop in Las Vegas. The pop diva has announced her headlining residency at The Colosseum at Caesars Palace. She will perform all 18 of her No. 1 hits together in one concert called “Mariah Carey #1’s.” The production will also feature fan-favorite album cuts, never-before-performed selections, and many more musical surprises. The residency kicks off on May 6. Tickets to the first 18 performances in 2015 are on sale now and range from $55-$250. May 6, 9, 10, 13, 16, 17, 20, 23, 24 July 8, 11, 12, 15, 18, 19, 22, 25, 26 Mariah announced the news on “The Ellen DeGeneres Show,” where she surprised the studio audience with tickets to her show and a hotel stay at Caesars Palace. “I have so many ideas for the show that I’m currently working on and am excited to perform all of my #1 singles together for the first time and others that are very close to my heart,” said Mariah. “My songs are the soundtrack of my life and I can’t wait to share them with my fans on stage!”

Thousands of celebs like Facebook Mentions, but is it more than a bit player?

Six months after launch, thousands of celebrities and public figures, including a group of bona fide A-listers, are using Facebook’s exclusive Mentions app. But some social media professionals who work with stars think the app is a bit player. Facebook launched Mentions last July, hoping to make it the go-to app for actors, musicians, and athletes who want to more closely control their interactions with fans. The obvious agenda: to undercut Twitter as the tool celebs use for rich interactions with fans. Is it working? To big names like Tom Brady, Jennifer Lopez, Oprah Winfrey, Whoopi Goldberg, Samuel L. Jackson, Ellen Degeneres, and others who use it regularly, definitely. Others aren’t so sure. To several social media managers who oversee celebrities’ social activities that spoke to VentureBeat, the last thing already busy stars need is another tool. Indeed, some say Mentions hasn’t made even the slightest ripple with their clients. Above: When a celebrity posts something from the Mentions app, the update reflects that. Built by Facebook’s Creative Labs team, which also launched Rooms, Paper, and other stand-alone apps, Mentions is available only to verified users who also have a public-facing Facebook Page. In other words, public figures. Mentions provides celebrities, who collectively get a billion fan interactions a week on Facebook, a set of dedicated tools for managing their social media interactions. That includes things like seeing and diving into popular fan posts that mention them, inviting fans into Q&As, and seeing filtered posts about them from other influencers. This is, in theory, a powerful set of real-time interaction features that exceeds even what Twitter offers. Facebook designed it as a back-pocket app for celebrities who want an active hand in their public-facing social media activity. If successful, that would be big win for Facebook, as it would undermine Twitter’s reputation as the best way for stars to communicate directly with fans. Huge stakes The stakes are huge as celebrities look for the best way to increase their reach, but also to filter out the noise amidst the overwhelming number of interactions they generate with their social media posts. And indeed, by some measures, Facebook is already a far more potent platform for stars than Twitter is. According to Socialbakers, a firm that measures activity on leading social networks, over the last month, the top ten most popular celebrities on Facebook get a staggering number of interactions: nearly 446,000 likes, comments, and shares per post. By comparison, the top ten celebs on Twitter got an average of just under 30,000 favorites, replies, and retweets per tweet. Those numbers illustrate the scope of the flood of interactions celebs generate with their posts, and how essential it is for those who want to control their message to have a way to both filter the noise, and communicate directly with fans. Giving celebrities a rationale for choosing Facebook over Twitter when they want to jump into conversations with fans can only help with that, due to their broad influence with everyday users. “I’m sure they want to capture everybody,” said Gartner analyst Brian Blau, “and use [Facebook] exclusively, because in reality, that’s going to drive Facebook users back to the site.” Celebrities, of course, have plenty of tools available to them already, some from Facebook or Twitter and some from other companies, that can push their social activity to the maximum number of fans. And that’s key for them: To be active across each of the biggest social networks, be it Facebook, Twitter, Snapchat, Instagram (which is owned by Facebook), or YouTube. Among the tools available are Bumebox, which lets personalities conduct Reddit-style Q&As and push them onto Twitter and Facebook. There’s also WhoSay, which makes an app used by celebs like Tom Hanks, Matthew McConaughey, Jeremy Renner, George Lopez, and others to broadcast photos and personal updates to many social networks — including Twitter and Facebook. “For any kind of public person these days,” Blau said, “having access to your fans or your followers is extremely important…. The reality is, when you’re a big star, you have to have a multi-pronged approach when it comes to technology.” ‘Exceeded our initial expectations’ Asked by VentureBeat to characterize Mentions’ performance so far, Facebook product manager Allison Swope said it has “exceeded our initial expectations” for sign-ups and retention, and its usage rate has grown steadily. Yet it’s difficult to see exactly how celebrities are using Mentions, so its success is hard to judge. It’s possible to see when someone uses Mentions to post something, but not any other kind of activity. There’s no questioning the value to Facebook of stars like Brady, Winfrey, Lopez, and others, but it’s also hard to ignore perspectives on the app like that of Laura Roeder, a social media expert and the founder of MeetEdgar, a social media scheduling tool. “I had forgotten all about” Mentions, said Roeder, “and it seems that celebrities feel the same way…. I couldn’t find one who had even heard of the app, much less used it.” Roeder’s not the only one who’s skeptical. So is Steve Ellis, the CEO of WhoSay. “We’ve not seen [our clients] flocking to Mentions in any meaningful way,” Ellis told VentureBeat, “or heard a great deal of chatter related to the app.” Then there’s this comment, from a manager at an agency that oversees influencers’ social media activities: Mentions “fell flat because celebs are really busy and are already using Twitter, and to a certain extent Snapchat and Instagram, to communicate with their fans.” The agency manager spoke on the condition of anonymity because his superiors wouldn’t authorize him to be named publicly. To Facebook’s Swope, it’s no surprise that social media managers dismiss Mentions’ value. After all, she argued, many of those professionals use Facebook’s Pages Manager app, or Facebook on the web, to promote their clients’ social activities. “We actually built Mentions specifically for the talent,” Swope said, “to make it really easy for public figures to connect with their fans and each other.” In other words, Mentions is for the stars themselves, not for their social media managers. Still, the professionals think that Mentions doesn’t actually do all that much to help stars. “It’s really just a simplified version of the Facebook app,” said the manager at the social media agency. “The amount of times celebrities are mentioned is huge, so the app does little to help sort any of the noise surrounding any particular client.” Continuing to develop Today, none of the top 10 most popular personalities on Facebook — stars like Katy Perry, Shakira, Eminem, and Lionel Messi — have used Mentions, at least not to post anything, save for a smattering of Justin Bieber updates last fall. Facebook is justifiably proud that celebrities like Oprah and J-Lo are using Mentions, but the company would no doubt like to see even more adoption. Now, Swope’s team is continuing to take feedback and plans ongoing marketing, support, and development of the app. “In the coming months,” Swope said, “we plan to roll out new features and to continue to drive adoption with public figures.” That makes sense to WhoSay’s Ellis, who said that despite little evidence of Mentions’ impact, he expects Facebook’s “great, crack team [that] caters to the needs of celebrities” to evolve Mentions to be more useful. But it has a long way to go, argues Roeder, who believes the ubiquity of hashtags and @-handles on TV and in advertising reflects Twitter’s dominance over Facebook in mainstream media integration. “I think Facebook launched Mentions as a way to try and keep up [with Twitter] and keep celebrities closely tied to Facebook,” she said. “But they made the mistake of looking at how fans would like celebrities to engage with them — but not how celebrities would like to engage with fans.”

This Show Will Make You Fear Your Gadgets, Says CSI Cyber Cast

The cast, executive showrunner, and producers of the new series CSI: Cyber candidly answered basic, blunt, and even brusque press questions about how this new series differs from the already-successful CSI shows. Welcome to cyber-crime,” executive show producer Zuiker commenced with, “where everything is amplified. Everything is 2.0.” On why the new show’s focus is on the internet, instead of a physical location: Executive Producer Anthony E. Zuiker addressed the press without reserve, stating, “To do this dance, we needed it to be fresh. CSI: Cyber is fresh. Something new. CBS is all about relevance, all about authenticity, all about moving the medium forward.” The actors on the panel, including recent Golden Globe-winner Patricia Arquette, chimed in as well. “This is like the Industrial Revolution — an explosion of the way we’re going to live our lives,” she said. On how the show will reflect what is really going on behind our screens: Mary Aiken is a cyberpsychologist who’s worked for the European Crime Center at Europol — and she also happens to be one of the show’s producers. Her rich and distinguished background offers the show what many other crime dramas cannot: “an authentic interpretation of cyber-crime.” Patricia Arquette then posed a question to the audience. “We are at a dawn of a new time. What does this new technology mean in our lives?” Fellow cast member Pete MacNicol reminded us, “There are so many bad guys out there.” Charley Koontz also added, “Cyber crimes are terrifyingly random, which makes them all the more terrifying to victims.” It’s alarming stuff, to be sure, but when Mary Aiken took the stage again, she made it clear that it’s not just about fear — it’s about taking action in the face of it. “We are not in the business of inducing paranoia. The show will encourage people to think about their digital exhaust… every contact leaves a trace.”