Newly created post makes Gersh an ‘excitable boy again.’ Former manager and label exec Gary Gersh has joined global concert promoter AEG Live in the newly created position of president of global talent, Billboard has learned. Gersh most recently served as CEO of The Artist Organization (TAO) management firm, which had closed its offices in New York and L.A. by the end of 2014. The deal for Gersh to join AEG Live was inked around the Christmas holidays, Gersh tells Billboard, and puts the executive squarely in the live music business for the first time in his long career. “I love music,” Gersh says, “but I also love business and growth and the opportunity to build, and all those things collide in one place here. I’m super excited about being a part of that. You know how it is, when you’re doing something often and for a long time, you think, ‘If I can be challenged and be an excitable boy again, that would be a super way to go through the next 10 or 12 years of my life.’ I just decided it was time for a change. Fortunately it landed me here, and I couldn’t be more excited.” At AEG Live, Gersh will “play a critical role in managing and enhancing the ongoing relationships between artists and their agents, managers and other business associates and AEG Live’s touring, festivals and 15 regional offices,” according to a statement to be released by AEG Live on Thursday. Gersh will also “work directly with promoters and artists and their teams to create new business relationships and opportunities in the touring and other industry-related spaces,” according to the release. A division of sports and venue giant Anshutz Entertainment Group, AEG Live is the second largest promoter in the world, reporting annual grosses in the $1 billion range, according to Billboard Boxscore. With its Goldenvoice division, AEG produces or co-produces 27 festivals, including New Orleans JazzFest, Coachella, Stagecoach, the Country Superfest brand and recent additions Firefly and Hangout. Tours produced by AEG Live in 2014 include the Rolling Stones, Paul McCartney, Katy Perry, Enrique Iglesias/Pitbull and George Strait. “Gary’s rich background as both an accomplished label president and artist manager will bring great resources and unique experience to AEG Live as we continue to build the world’s pre-eminent live music company,” says AEG Live Chairman Jay Marciano in the statement. “I am confident that the opportunities Gary will develop for both AEG Live and our artists will not only be profitable for both parties, but will create exciting programming for music fans.” Gersh has a storied music business career and was a key figure in jump-starting bands in the Seattle rock scene and like Soundgarden and Nirvana. Starting out as a record store clerk, Gersh helped build what became a chain of 30 Licorice Pizza record stores. After the chain was sold, Gersh went to work at Capitol Records in promotions before helping launch EMI America Records, where he signed and/or worked with such artists as David Bowie, Stray Cats, John Waite, Gary U.S. Bonds, Marty Balin and J. Geils Band. Gersh was a founding partner of Geffen Records and signed/worked with numerous successful acts including Nirvana, The Sundays, Hole, Sonic Youth, Pat Metheny, Stone Roses, Peter Gabriel, Rickie Lee Jones, Robbie Robertson and Counting Crows. Gersh later served as president/CEO at Capitol/Blue Note Records, where he helped establish the careers of Radiohead, the Beastie Boys and Foo Fighters. In 1999, Gersh transitioned from major-label executive to artist manager when he and John Silva founded G.A.S. Entertainment Co. There he worked with Beck, Rage Against the Machine, Counting Crows, Beastie Boys, Foo Fighters, Tenacious D, Jimmy Eat World and At the Drive-In, among others. Among Gersh’s clients at TAO were Soundgarden, Portugal. The Man, John Legend, Lenny Kravitz, Counting Crows, Tears for Fears, Chromeo, Animal Collective, Billy Talent, Death From Above and MSTRKRFT, as well as graphic arts company Poketo and clothing company Imogene & Willie. “I had been in management a long time,” Gersh says. “We built [TAO] into a great company and had a great time doing it. It just seemed like the right time for a new challenge.” Now Gersh moves from wrangling deals out of promoters as a manager to “sitting on the same side of the table,” as he puts it, though AEG’s business transcends concert and tour promotion to including venues, ticketing, branding/sponsorships, film and television, sports, merchandising, and other areas. “There are a lot of businesses that exist under AEG Live, and there are a lot of opportunities for me to use all my artist connections with managers and lawyers and years of doing this,” he says, “and also the opportunity to become part of the team to help it grow.” A Los Angeles native, Gersh and his wife live in Santa Monica with their four children.
“Enter every activity without giving mental recognition to the possibility of defeat. Concentrate on your strengths, instead of your weaknesses… on your powers, instead of your problems.” -Paul J. Meyer
The 2014 Sony Pictures hack revealed emails sent between Snapchat cofounder and Sony Pictures CEO Michael Lynton. It shed light onto Spiegel’s business acumen, as well as his ambitions for the company. It also revealed several secretive acquisitions Snapchat made, the purpose of one remained unclear — today. This week, Snapchat finally rolled out its long-awaited discovery feature, offering users a variety of curated editorial content from media companies including CNN, the Daily Mail and Vice. But the update has brought a slew of other features too — one of these being a new custom QR code to discovering profiles. Users simply take a photo of someone’s QR code using the Snapchat camera, and it adds them. It’s a more visual way of interacting, without having to remember usernames But it looks like Snapchat didn’t develop this technology in-house. As TechCrunch reported in December 2014, the company had quietly acquired Scan.me earlier in the year, a startup specialising in QR code scanning and iBeacons. Users can create custom QR codes and link them to profiles using Scan.me’stform — much like the functionality just added to Snapchat. Leaked emails between Lynton and Snapchat executive Steve Hwang revealed that the company paid $14 million in cash for Scan.me, $33 million in Class B common stock and $3 million in restricted stock units. That’s more than $50 million all in all. The deal is, the email cautions, “super secret.” (Scan.me also continues to operate independently.) We don’t know for sure that Snapchat’s new QR codes were based on the Scan.me’sh — but it seems a pretty safe bet. So far, the early reception to it on Twitter has been roundly positive. Which is just as well, if it cost $51 million.
SERGE PUT ME ON THIS YESTERDAY,IM ON EPISODE 4 Money & Violence is a new web series picking up steam online, and there’s definitely a huge amount of support coming from the hip-hop community. The Youtube show follows two young men in Brooklyn who are trapped in a life of crime and are desperately trying to survive while dodging bullets and prison. Though, the content is coated in ultra graphic scenes that rival The Wire, the show’s creator Motivation says his ultimate goal is to teach youth about what really happens when you try to live street life.
“YOUR LOVIN’ TAKES ME HIGHER / YOU SET MY HEART ON FIRE / WHEN YOU TOUCH MY BODY, GOT ME SINGIN’ LIKE MARIAH.” https://soundcloud.com/dj100wattz/fifth-harmony-like-mariah-feat-tyga
http://youtu.be/ZTwzsV3I3OQ
WHAT!! NASA’s Kepler Space Telescope recently discovered an Earth-like planet orbiting a nearby star within the habitable zone of our galaxy. Kepler-186f is approximately 500 light-years from Earth in the Cygnus constellation. The habitable zone, also known as the Goldilocks zone, is the region around a star within which planetary-mass objects with sufficient atmospheric pressure can support liquid water at their surfaces. While it has been estimated that there are at least 40 billion Earth-sized planets orbiting in our Milky Way Galaxy, this particular discovery is labeled the first Earth-sized planet to be found in the habitable zone of another star. What does this mean? In addition to Kepler-186f, there are 4 other planets that orbit a nearby star within the Kepler-186f system. What this means is that if the nearby star to this planet is similar to our Sun, then the probability of life on this planet exponentially rises. “We know of just one planet where life exists – Earth. When we search for life outside our solar system we focus on finding planets with characteristics that mimic that of Earth,” said Elisa Quintana, research scientist at the SETI Institute at NASA’s Ames Research Center in Moffett Field, Calif., and lead author of the paper published today in the journal Science. “Finding a habitable zone planet comparable to Earth in size is a major step forward.” The nearby star to Kepler-186f has half the mass and size as our solar system’s Sun and only receives one-third of the energy that we receive from our Sun. Kepler-186f orbits its star once every 130 days.