Jeezy back with another new visual for Black Eskimo produced by Cardo. Jeezy latest album titled Seen It All is in stores now.
Davis Guetta links up with Nicki Minaj and Afrojack for his latest collaboration track called Hey Mama. This is taken from David Guetta upcoming album titled Listen dropping on November 24th.
In a local radio interview Tuesday, Dallas Mavericks owner Mark Cuban didn’t hold back when discussing the struggling Los Angeles Lakers, saying, “Personally, I just hope they suck forever.”
Cuban made his remarks about the 1-9 Lakers, who are off to their worst start in franchise history, while he was on “The Fred Roggin Show” on The Beast 980, a radio station in Los Angeles.
Roggin brought up the topic of how teams are constructed in the current NBA era, specifically the Lakers.
“As far as the Lakers,” Cuban said, “I think there are going to be a lot of teams that are going to be focusing and saying, ‘Look, I’ve got a ton of cap room, free agents A, B and C, why don’t you guys come together and come play for me?’ And L.A. has always been considered a destination, so maybe they feel there’s a valid strategy. You know me, Fred. Personally, I just hope they suck forever.”
It’s not the first time Cuban has made remarks of that nature about the Lakers. Before the Lakers’ much-anticipated 2012-13 season opener, when they had Dwight Howard, Cuban was asked for his thoughts on the new-look Lakers.
“I don’t know, I don’t care, I just hope they suck,” he said then. “You know, like any other team.”
Yesterday Warner/Chappell Music, the publishing arm of Warner Music Group, announced deals with Jay-Z to administer the copyrights of both his own songs and those on the music publishing roster of his company, Roc Nation.
Warner/Chappell will immediately begin administering Jay-Z’s catalog stretching back to 2008; by the end of 2013, it will handle the bulk of his early career hits as well. The publisher will also now administer copyrights for Roc Nation’s stable of songwriters, including Philip Lawrence (co-writer of Bruno Mars’ “Grenade” and “Locked Out of Heaven”) and S1 (co-writer of Kanye West’s “Power” and Beyoncé’s “Best Thing I Never Had”).
Part of the reason that Jay-Z chose Warner/Chappell was his connection to publishing executive Jon Platt, who left EMI Music Publishing for Warner last year. The duo first worked together in 1996, the year Jay-Z released his debut album, Reasonable Doubt.
“The real meaning of success is being in the position to work with an individual you consider a friend,” Jay-Z said in a statement. “Jon Platt is such a person. He’s a man of extraordinary character as well as a remarkably talented executive with an ear for music and an eye for talent. It’s great to watch him grow to be one the best in the business.”
Added Platt: “I couldn’t be happier to continue my relationships with Jay and Roc Nation and build on our partnerships at Warner/Chappell. We have the global expertise and resources to deliver new opportunities for their amazing catalogs, while helping them reach new heights of success around the world.”
Platt became more familiar with Jay-Z’s songwriting skills at EMI, which was home to his copyrights until now. As I wrote in 2010, the rapper’s previous agreement had long been set to expire this year, giving him plenty of time to plot his next step.
But there’s another set of rights headed Jay-Z’s way quite soon. As I wrote in my book Empire State of Mind: How Jay-Z Went From Street Corner to Corner Office, the rapper negotiated the return of the master recordings to all the music he made while at Def Jam as part of an agreement to become president of the label in 2004.
The catch: he’d have to wait 10 years. Ironically, the opportunity to own his masters was what convinced him to take the Def Jam gig over a similar job at Warner Music Group. Now, his career has come full circle.
By the end of 2014, he’ll be in full control of both his master recordings and publishing rights—meaning that every time someone buys one of his albums, streams one of his hits online or licenses his song for a movie, he’ll get a considerably larger piece of the pie. Not bad for someone who already made $38 million last year.
For Warner/Chappell, Jay-Z’s deals might be part of an even bigger package. Rumor has it that Platt is in negotiations to bring Beyoncé’s publishing to Warner/Chappell as well.
Young Chris links up with Beanie Sigel for his latest track called called Legends Never Die. Young Chris new mixtape titled Network 3 is dropping on November 29th.
Kanye’s performance at Radio City Music Hall was a surprise to him, too
No one was more surprised than me when he did the surprise performance during my Radio City show. It was weird. You know what he said after the fact, which I thought was funny? He said, “Why wasn’t I on the show in the first place? Like, why wasn’t I booked?” So I don’t know what happened via the machinery. It also could be that Kanye’s like a girl that’s so pretty, nobody asks her to the dance. You know what I mean? I knew the day before that he was coming to see the show. Then, as I was walking onstage, right before I went on, Kanye was there and was like, “Yo, can I rock with y’all?” And I thought he meant in general—like, “Yeah, man, always! We all cool for life! Blah blah blah.” Talking all that shit. And then afterwards, when I say good night, I looked up. Kanye is actually onstage, standing there with a microphone in his hand. I was like, “This is nuts.”
There’s a “high possibility” he bought weed from Idris Elba back in the day
So he used to work at Carolines. During that era of my life, there’s a high possibility that I bought reefer from Idris. Fast-forward to when I was doing Chappelle’s Show. Idris would come to the set sometimes. Not the set where we’d be filming sketches, but the set when we did the live portion of the show and we showed the audience sketches. It used to be a real hot ticket in New York. There’s a lot of women who used to work on the show…all very professional, with the single exception when Idris would come around. It doesn’t matter how big a star would be on the show, when he came around, women would just lose their goddamn minds.
D’Angelo’s answering machine message is awesome
I haven’t talked to him personally in a while, but the last time I called him, he had a long outgoing message on his machine. It was like a Malcolm X speech. And the last part was so intense. He was like, “The price of freedom is death!” Beeeep! I didn’t even leave that dude a message. I just hung up the phone. Like, just listening to D’Angelo’s answering machine puts you on the no-fly list, it’s so militant.
He doesn’t think Donald Sterling should have lost ownership of the Clippers
Ultimately, I don’t think he should have lost his team. I don’t like the idea that someone could record a secret conversation and that a person could lose their assets from that, even though I think what he said was awful. When you think about the intimacy of a situation, like, can a man just chill with his mistress in peace? I just don’t like when things like that happen, because if they take shit away for things that people say that are objectionable, I may not have anything in a few years. Granted, I don’t think I say shit like “Stop bringing white people to my game.”
He doesn’t necessarily agree with Kanye’s comparison between today’s celebrities and the civil rights movement
Well, okay now, I don’t know about that. But I do see a common denominator in the sense that the issue of privacy in general is everyone’s issue. And his version of that is very extreme. I’m a celebrity in some people’s eyes, but not to the extent he is. I saw on Yahoo that his wife got tackled in Paris. Like, just crazy shit. I think that he’s right in the sense that scrutiny in and of itself is oppressive. If someone sits there and stares at you while you eat, you won’t even eat the way you normally do, because it’ll make you so uncomfortable. If I look at my dog when he’s eating, he will look at me like, “Dave, I will bite you. What are you looking at? I’m trying to eat.” It’s something that dehumanizes a person, being on display like that. So is it like the civil rights movement? Not quite. The metrics are a little wrong to make that comparison. But it is a civil rights issue, in a sense. Because how is he supposed to live his life? It’s like someone putting their ear to your butt and being like, “Ew, you farted!” Stop listening to my asshole!
Rob Ford wouldn’t let him smoke on stage in Toronto
I was in Toronto for a few shows, and they told me I couldn’t smoke onstage. And I was like, “Well, can’t you just waive the rule tonight?” And they’re like, “It’s a citywide ordinance.” So I got up the next morning and went to the mayor’s office. This is before all that shit about him came out.
He walked in and was like, “What can I do for you?” And I told him, “These ordinances exist in the United States, but they’re often waived in contexts of performance, because it’s an integral part of what I do.” He replied, “That’s it?” “That’s it,” I said. Then he told me, “I’m sorry, I can’t help you. The laws of Toronto are the same for everybody. We appreciate you coming, we’re glad you’re here, but we can’t change the law because it disagrees with you.” He really gave me this whole speech. I should have said, “You didn’t let me finish: ‘smoke crack rocks onstage!’”
He wrote eleven failed TV pilots before The Chappelle Show
And it wasn’t just that I was doing stand-up before I did that show. I probably did eleven failed television pilots. And I have to be honest: Like, maybe one went to series. Another one was bought, but I quit. It just wasn’t good. None of ‘em were really good. And it took that experience, those experiences, to learn how to do television.
He wants to make cameos in a bunch of TV series
For one year, I want to do this thing where I guest-star on as many television shows as I possibly can. I love television. I’d be a zombie in The Walking Dead. A corpse on CSI. I’d be the first black guy to fuck Olivia Pope on Scandal….
He has expert parenting advice
Also, I have this thing where I meet people whose kids are, like, superhuman perfect: “She speaks three languages now, blah blah.” That used to make me feel shitty. Like, “Aw man, I really have to crack the whip and do this and that.” But then I watch their kid for a while and then watch mine. And my kids look actually happy. And I learned early on that perfectionism and parenthood is a toxic combination for everybody involved. In other words, so many things can flourish naturally. All you gotta do is make sure the soil’s right. But I view myself more like a guide than a ruler. Their mother’s the ruler.
He isn’t done just yet. We think.
I guess [Radio City Music Hall] has the connotation of a sunset, because of the bucket-list analogy. There was something very definitive about it. In other words, for me to leave this show the way I did and then to sell, like, 60,000 tickets in New York City is a pretty big deal. And what was crazy was that if the venue were available longer, we could have kept going. So if it was the end of something, it would definitively be the end of any doubt that there was something real between me and the audience of people. ‘Cause you do doubt that, especially if you’re, you know, sequestered. I’ll say it like this: There’s still some shit on the list. I still got some shit on my bucket list.
What’s another thing on that bucket list?
For one year, I want to do this thing where I guest-star on as many television shows as I possibly can. I love television. The fact that television ultimately made me famous was very gratifying for me. Chris Tucker did it in movies, and Chris Rock did it from his stand-up, which was very impressive. But you know, the thing that people most will remember me for is Chappelle’s Show. If I were to never do anything else, that show would be a culmination of what was a very long and tedious process of me learning how to be in the television business.