I GOT A QUESTION FOR YALL

AFTER LAST NIGHTS SHOW I REALLY PUT MY FINGER ON WHY HIP-HOP HASN’T KEPT ITS STATUS AND FEELS SO BROKEN DOWN. THIS IS THE ONLY BUSINESS WHERE THE CREATORS GET RICH, QUIT AND LEAVE PEOPLE WITH THOUGHTS OF HOW IT WAS. LIKE FOR INSTANCE THE SHOW THEY HAD LAST NIGHT COULD AND SHOULD BE A WORLD WIDE TOUR BUT THERE’S NO PROMOTERS IN THE GAME FROM THAT ERA ANY MORE.  THIS IS THE PART OF HIP-HOP I DON’T UNDERSTAND, WHERE DID EVERYBODY GO AND WHY?? YALL THINK I KNOW BECAUSE I MADE MY WAY IN BUT I’M NOT FROM NY I WAS IN ATLANTA LOOKING IN THE WINDOW JUST LIKE YALL. IF YOU LOOK AT SHIT LIKE THE WWE VINCE MC MAN STARTED IT AND IS STILL DOING IT AND I THINK HE’S MADE WAY MORE MONEY THAN ANYBODY IN THE RAP BUSINESS. THE SAME WITH THE NBA, DAMN NEAR ALL THE COACHES ARE FORMER PLAYERS NOW. IT HAS NOTHING TO DO WITH THE NEW ARTIST THERE COMING EVERYDAY BUT WHO’S TELLING THEM WHAT’S RIGHT AND WHAT’S WRONG? I REMEMBER EVERYBODY USE TO GO TO CANCUN AND CHRIS LATIMER WAS THE BRAIN CHILD BEHIND THIS I WENT EVERY YEAR. NIGGAS FROM EVERY STATE HAD TO BE THERE. THEN I WENT BACK AND SOMEBODY ELSE HAD TAKEN OVER AND IT BY FAR WAS NOT THE SAME. WHAT HAPPENED AND WHY DID CHRIS LEAVE WHAT HE STARTED?? SEE THIS IS WHAT I THOUGHT ABOUT WHEN I WAS HOME WATCHING BOW WOW WITHOUT ME. WHY AM I LETTING SOMEBODY ELSE DRIVE THE SHIP THAT I BUILT AND COOL WITH WATCHING IT DAMN NEAR TIP OVER. I WAS THERE BUT SOMETHING SAID LEAD BY EXAMPLE. MY QUESTION TO YALL IS WHY DO YOU THINK THESE GUYS HAVE ALL ABANDONED HIP-HOP OR AT LEAST THE THINGS THEY STARTED?

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  1. Well JD what role do you play in all this? How have you tried to keep the old school alive. I mean I know you play it when you DJ (well shit I dont know I never been to one of your parties) but when you bring out new artists you bring out people who have this new school, bullshit broke down sound. The pioneers need to keep themselves out there. But how if hop hop takes a turn left and everyone follows. There are no leaders. I mean Kanye is one of the few, but everyone else is just doing what the labels tell them to do to make sales. The old school dudes dont leave they get pushed out. Aint nobody promoting KRS1 or Big Daddy Kane. Shit Rev Run was on tour WITH KID ROCK, that should tell you something. Pioneerd need to fight harder to stay relevant and I dont mean doing the stanky leg or no bullshit like that. By making good music that is about SOMETHING. Its fine to party but damn.

  2. This is Deep. I feel you 100 on this 1

  3. check my stuff out

  4. I think that people left hip-hop and so-called abandoned ship becuz 1) they thought they past the torch and it would something that was sustainable or 2) Hip-hop heads wouldnt let the older cats stay around. they’ve done this by not supporting albums (sale wise). Think about it, how does it look 2 see an old black guy STILL WEARING BAGGY PANTS talking about rhyming. 3) maybe they were jus in the biz for the money!!! Look at all the fake rappers who really only care about money. They havent read a book in their life or have said anything mind boggling in their rhymes….I think I might of answered this question to my full understanding

    PHX

  5. Maybe a lot of the “ol school” people are NOT RESPECTED by the “new school” and when u have “already made money” u feel like it’s not worth the headache. Also it seems as if WE(meaning our generation JD)have not DEMANDED OF THIS NEXT GENERATION ANY TYPE OF RESPECT. Think Bow “humbled” himself after understanding that HE needed you to help guide the SHIP that you created! But it took a MINUTE, for the others, that almost NEVER happen! So when will OUR generation stand up and take SOME responsibility for the state of HIP HOP! DEMAND SOME RESPECT, BY BEING AN EXAMPLE OF HOW TO DO THIS THE RIGHT WAY, AND LEAVE THE CORRECT LEGACY!

  6. They never worked their money the right way JD…It’s that simple brotha. If a handful of them would’ve banded together (financially) and built their owner”ship” the y would have a seat at the table where major decision are made in terms of where the music will go (creatively)…I hate to say but them niggas dropped the ball…they cashed in (individually) and bounced, never to look back and think about the next generation. There is a “gap” in how the new generation expresses the art form. Thanks to brothas like you the reminders are there and you help motivate this generation. JD u are in a very powerful position. I admire the way u embrace the tide and ride the wave but your ship has remained on sail. Very few can say that. You Are LEGEND!!! I respect the older jacks as well but to me hip-hop is a rebellious muthafucka that refuses to be bound and gaged. Let that shit be free and dope!!! It’s art. There would be no Picasso if he were to be bound creatively…think about that shit. Art is express and it’s historical. Let it BE!!!

    Very good post!

    Thanks.

  7. I think they come and leave because they don’t have a passion for music anymore. They don’t create music and perform because they love it…they just wanna get rich quick…I don’t think they realize the importance of music and how it changes lives…Its an art!!! People don’t get to know them either…you would think that with the technology thats available that we would know more about the artists…but we don’t. We don’t feel a connection to them…hence the low album sales and high single sales. They arent creating cohesive albums..they putting an album of singles out…WTF…there are a few…but artists(if they can be called that) aren’t being as creative nor as innovative as they used to. Also, we don’t have many places we can watch music videos anymore on TV…I used to spend HOURS watching BET and MTV…u remember Planet Rocks?…lol….I don’t think there is any respect for the art anymore…we don’t demand quality…and we don’t get it.

  8. I think that the legends of hip hop shouldn’t depend on promoters. They know who they are willing to work with and they need to get together and work on getting back in the game. Even if all they do are Hip Hop Legend Tours. They will make money because there is an audience out there for them. An artist must be willing to grow and change. They don’t have to change their music, but they definitely have to be willing to change their methods. KRS1 is in my city often, but he plays at a venue that doesn’t advertise on urban radio, or newpaper. Just like you are on Youtube, Twitter, and you have a blog, these artisit need to use some of the same outlets as a means of keeping their fanbase updated.

  9. Hahahhahahahahahah ahhhahahaha SHOUT OUT TO THE HATER SEANNY HAHAHAHAHAHA

    WHAT’S UP FELLASSSSS

  10. In my opinion, this is a mirror for a lot of things in the Hip Hop Culture. The theme a lot of times seems to be “Get yours and Get Out.” Which is also a characteristic of Black culture. We are caught up in getting ours. There also isn’t a reverence for the pioneers. if you look in other cultures; for example, Rolling Stones concert would sell out in a minute (and I mean arenas not no club), Bob Dylan would also, as would julio Iglesias. But how fast would a Big Daddy Kane concert sell out, or Rakim, or even LL? We focus more on outdoing each other than uplifting.

  11. Somehow during the evolution of hiphop the founders were left behind. There were no Venues for them to perform & there still isn’t. No one was looking at the foundation of Hip Hop all the industry focuses on is the surface & who is moving units now. They don’t care about what you did, it’s about what you’re doing.

    You can have an Ojay’s concert, Frankie beverly and Maze etc, can tour every year. Why can’t Big daddy Kane, Rakim, Doug E fresh, Heavy D, ect do the same thing. Cats put there money in Bentlys, diamonds & industry trappings, they should invest in the founders of this music. If they did that everyone could break bread.

    I miss the days of the Budwiser superfest, where I could see all my favorites on one stage. Now tours are wack. You have the headliner and 1 new artist and ticket prices starting at $65 for bad seats. I use to stand outside madison Square all day waiting to get my tickets, now i won’t even log on to ticketmaster and bother going.

    I don’t now what happened maybe greed , frustration with industry BS, who knows. It’s isn’t one thing that happened that you can put your finger on. I miss the fun & good music the 80’s & early 90’s were the shit.

  12. Instead of questioning the state of hip-hop, look at your own stuff you’ve produced in the past 2-4 years, and ask yourself why haven’t they gone to the top? Maybe a new formula, along with the old stuff? Ionos..

  13. Where did everybody go? For the most part, those people that were behind the artist came in it for the money and once the checks slowed down then they decided that it is time for a different hustle.

  14. That is totally on point. But, this is not just happening with hip-hop; it is happening everywhere. From schools to churches , from good music to parenting. There is something wrong with society when we can create something awesome, but don’t feel the need to continue and sustain what we created. I have to think that it may be a lack of loyalty to the idea/craft, after you got what you wanted (whether it be money, the guy, the girl, etc.) you became satisfied and felt as if your job was done; instead of looking to moving/growing the idea/craft to the next level.

  15. I think it has to do with ownership and the current state of Hip Hop.
    The old school artist don’t have labels to keep pushing there own agenda so they try to survive off that old money and when that’s gone they try to live off that old success.
    The suit in the office is the one who keeps the cycle moving and they don’t respect Hip Hop like the fans.
    I doubt you will see the check writers backing Doug or biz on a new album with enough marketing dollars for these new cats to pay attention.
    Hip Hop has changed and some of these old school artist just didn’t change with it so there role is to supply us with that classic music when its called for.
    Plus in the black community you have so much hate that a man can only take for so long so once you get your money you get out just like the drug came.
    White folks can stay in their professions longer because they share more of a mutual respect for each other and when your rich and white you are looked up to.
    When your black and rich you are hated because the ones under you do not understand that real money comes from hard work and struggle and not buying a ticket in the rap lottery.
    Look at Q DA kid,this dude has been grinding for a long time from before Franchise to now but people think you just found him sitting somewhere and asked him if he wants to rap.

    At the end of the day Hip Hop does not respect its elders for them to keep there place in the game.

  16. i think hiphop was never taken seriously n always when a Artist grow fast or come out on top it was only cause they already got a fanbase so this is my opinion… I’m mean the major labels, never were interested on what the artist wants or needs or even think about to build on him (Artist) but only on making quick money with out to think whats coming next and about music quality that perhaps is not so comercial but if a major label or music director, whatever, take time to promote, to teach the artist, etc it will comercial to and better… but only few hand full of artist com out on top.
    HIP HOP got a lot of support and lovers in the underground scene but they are all only listeners or underground artists

  17. Its a shame too because A artist like Krs One will put on a show better then 99.9% of these new dudes in the game.

  18. age. plain and simple jd. when ur over 25 people call you old. sad but true.

  19. On the real I’m just so elated at the fact that someone whose made it in the game actually speaks on topics that are relevant to Hip Hop. 2nd I think you hit it on the nail the music is so manipulated by #’s, quotas, and “it gotta be a hit.” That most artist loose themselves, Jayz spoke on this on his black album dvd where rappers are afraid to be rappers because of these machines that incite an artist into doing a record that they don’t really have fun with. All in all I gotta say So So Def as it is right now is definitely having fun you can see that you all are “Living the Life” and enjoying every minute of it. Its almost as if regardless of a track being a hit or not you all got that true passion for what y’all doing. Keep it going King! 1 Jah Bless

  20. Here we go!! When Lincoln set the slaves free did they redistribute the land? Think about that for a moment. People have been passing down land (wealth) for over 300 years, most of us are starting from all most nothing. If you are in GA look up the history of Stone Mountain and the family that owned it. That’s right one family owned it. Most people that are black and rich are first generation wealthy. That means they started out with either nothing or very modest means. Once again who taught them?

    Some things are not for sale but in our community everything is for sale, and that’s the problem. When Bob Johnson sold BET, I almost cried that day, because I knew how much harder it would be for me. If you remember BET had Uncut, I had a song on Uncut called ASS DANCE by The Firemen (the video is on youtube) they would be play that video all the time giving me a chance, as soon as Bob sold BET, Uncut was dropped. It was not dropped because of lack of viewers, because a lot of people watched that show, it was dropped because the owners of the company wanted it off.

    The leaders of Hip Hop didn’t see making a brand to be passed down for generations to come, they took the check and left. Where did the Ford name come from? People started making cars back in the 1800’s and their family name is still around, who will get credit for Hip Hop 100 years from now? I use to get mad at Russell Summons” way of doing business. He will find a business, build it up and then Cash out. He is still doing this to this day, but at least he is still in the business. He has a rapper named Short Dawg who I met in the studio a few months ago, the point is he has not turned his back to the game.

    The bottom line is that everything can not be for sale; somethings are more important then money and should be kept. My parents never really believed in my music career, so when JD released 1472 in the old record store by Lenox, everybody was trying to talk to him, I stood outside talked to his father the whole time. When I looked on the back of Bow Wow’s CD and saw the name Michael Mauldin, I smiled because dude is still in the game. 100 years from now will So So Def still be around or will it be a distant memory?

    Our job is to Acquire (Get the money) Protect (Save the money) and Transform (Pass down the money) It’s the same rules for Hip Hop…But who is following…

    SPOCK

  21. Why the assumption that people PLANNED to stick around anyway?

    Wasn’t it all about “wanting” or “needing” money to begin with? (not my personal opinion, just a thought.)

    So once they got the money they just ran with it and didn’t look back so they could say its something they “did,” and have the money and other materialistic shit to show for it?

    I guess there’s that whole thing about lack of respect too for people who have been in the game for a long time!

  22. Spock do you think Uncut being taken off was a bad thing? Because you say everything should be for sale but the only thing Uncut was, was ass on sale. Not a good look for hip hop, black men or women.

  23. oops that should be “everything shouldnt be for sale”

  24. HOW ABOUT A SO SO DEF OLD SCHOOL ALBUM WITH REMIXES OF OLD SONGS WITH THE OLD ARTIST PLUS SOMEONE NEW.
    LIKE BOW WOW AND DOUG E FRESH OR Q DA KID AND BIG DADDY KANE.

    breath some life back into the art form.You could put me down for 10 copies.

  25. I think thy feel un needed…they feel like new tymes call 4 new ppl..they see things changing and think that ppl in charge or that were there 4 example should change as well…i don’t think we did a gud enuff job of letting them kno they were needed way more than they thought they were…

  26. Black people are the epitome of a throwaway society. We buy something, wear it for one minute then throw it away. Same with our music. Our singers have to go overseas to be appreciated because their music is no longer in rotation on the radio here. We are over-indulgent to a fault. We rush to keep up with the latest fads and let others dictate the value of everything for us. White folks hold on to everything until it comes back into style again, including their clothes and music.

  27. I think there comes a time in everyone’s life, when they’re just ready to move on. However, if it’s something that you truly love, then you’re never really able to let it go. Look how many times Jordan came outta retirement. It’s the responsibilty of the new generation to pay there respects, buts its the responsibilty of the old schoolers to stay active in the game. Even if its from behind the scenes. It’s cool to look to your future, but you can’t forget your past.

  28. JD it just hit me. I was sittin here watching the WWE Hall of Fame and I understand now why hip hop is the way it is. Vince McMahon has the same mentality that slave owners had. You start with one set of workers and keep them and work them til they break, knowing that they will have children to carry on that work when they cant. Hip hop was not built like that. Hip hop was built like businesses that came after slavery. Imagine how much the ancestors of the original creators of Pepsi or Coke would be had it not been sold early on. Bill Gates and Vince McMahon are still rich because they are still the majority stakeholders in their brand. Old School hip hop artists got in, got the money and left not realizing that the real money was in the longevity. Well only one realized that. Russell Simmons. Ok I hope you understood me through all that rambling. LOL

  29. Fast Money! Most things lead to the MONEY.
    You see an addict on the street and the number 1 thing to survive is MONEY!
    Once you needing more of that addiction you loose your inner self and you have a devil (addiction, sex, drugs) all wrapped in one with the common denominator of MONEY!
    Did some fall too deep in their addiction and loose their artistry?

  30. I honestly don’t feel like everyone just gives up and leaves. I think a lot of people are forced out of relevance by trends. I feel like trends are a gift and a curse of the game because they get you on but if you depend on them, your high can only last as long as the day the trend began. A lot of older artist can’t continue to stand because with the start of a new trend is the death of a prior and “society” stands by the trend and shelve the classics.

  31. JD, I agree with what Kandi said, not the slavery part but the longevity part. We all know that the music business is always looking for the next big thing.(someone young that can carry a tune and look cute) The question is what happen to TALENT. I think the real reason some of these people that started hip hop got out beecause their record company stop believing in them or felt that they were getting to old so they move on. Why should they stay in the game if they have to put up with bull shit. So JD why do you stay in the game and how do you keep true to your music and artist.

  32. J.D. MY NIGGA …. ITS SIMPLE MATH. THE NIGGAS THAT WAS LEADERS IN HIPHOP WAS IN THE SHIT FOR THE FUCKING MONEY. POINT BLANK PERIOD!!!!! DO U SEE NIGGAS IN ROCK DOING THAT SHIT? tHEM NIGGAS BE IN THE GAME TILL THEY DIE ! aINT FRIGGIN MICK JAGGER STILL TOURING? AEROSMITH STILL GOING STRONG. sEE THEM DUDES DIE DOING WHAT THEY LOVE CAUSE THEY DON’T GIVE A FUCK ABOUT THE MONEY . THEY WANNA MAKE MUSIC, ROCK OUT ARENAS AND DO DRUGS. LOOK HOW OZZY HAS OZZ FEST. hAVE YOU EVER BEEN 2 OZZ FEST? OZZ FEST HAS BEEN A PLATFORM WHERE NEW AND UNSIGNED ARTIST CAN GET ON AND ROCK ALONG SIDE THERE FAVORITE BANDS AND IDOLS. I.E. SLIPKNOT AND SYSTEM OF A DOWN. THESE BANDS GOT STARTED ON OZZFEST AS FAR AS BUILDING THERE FAN BASE. DO HIP HOP HAS ANYTHING LIKE THAT WHERE THE LEGENDS, THE LEADERS OF THE NEW SCHOOL LIKE JEEZY OR LUDA AND THE UP AND COMING TOUR THE COUNTRY AND HOLD FESTIVAL TYPE CONCERTS? NOW WE DON’T. HIP HOP TURNED INTO BULLSHIT WHEN NIGGAS THOUGHT THEY HAD 2 FOLLOW TRENDS 2 MAKE MONEY!!!!

    nIGGAS DON’T RESPECT THE OLD SCHOOL CAUSE THEY BUSY TRYING 2 KEEP UP. iTS LIKE HIP HOP HAS NO ELDERS!! cOME ON j.D.!!!!! nIGGAS IS WEARING SKINNY JEANS NOW. i SEEN THAT SHIT HEAVY IN L.A. DURING GRAMMY WEEK. 3 YEARS AGO YOU WOULD BE SHOT WITH SOME TIGHT ASS JEANS ON.
    NIGGAS HAVE FORGOTTEN ABOUT OUR FOUNDING FATHERS CAUSE NIGGAS LOOKED AT HIP HOP AS A CASH COW VERSES A PART OF OUR CULTURE AND LIVING. SEE THEM NEW YORK NIGGAS IS THE MAIN ONES RESPONSIBLE FOR THIS SHIT. KARMA IS A BITCH AND THEM NIGGAS WONDERING WHY THEY SUFFERING. ITS NO LOYALTY AMONGST THEIVES AND NIGGAS HAVE ROBBED RAPED AND ABUSED HIPHOP 2 THE POINT ITS A BATTERED OLD WOMAN . FUCK WITH ME ON THIS J.D. THIS IS REAL TALK

  33. Now, JD I feel you more than you know as I lead by example as well. I’m from NY (raised since age 1) as I am & have always been around the authenticity of Hip Hop all around the tri-state area even more Long Island. Example – EPMD, Biz Markie, Craig Mack, Das Efx, Keith Murray, De La Soul, Prince Paul, & the list continues all resided in Long Island as it’s a small community especially if were all in entertainment. So at a young age I’ve been coach able to there presence & tutelage. Now, I have just finished wrapping up a Big Daddy Kane Canadian tour in Toronto on the 26th, Montreal 27th, & Ottawa 28th so when I read your blog it confirms that agents such as myself is doing something correct about bringing “The Father’s of Hip Hip/ Rap” to teach the younger kids who tend to follow & breed the culture of ours. As before the BDK mini-tour I brought in Naughty By Nature. So, you can get the drift. I can’t even begin to mention how much of a success the BDK show was. It mixed from all over: races to age groups. Literally there were 18-50+ men & women in attendance who left there kids w/ there babysitters & lived life. Like I even got photo’s of fans bringing there original records out for Kane to sign. Me & Skoob were chopping it up in the dressing room about topics like this, as I appreciate your daily postings. Real talk I’m now working on confirming EPMD to come up next month & routing the dates so I know the feeling more than you know. As, for myself I will only do what I’m able to do to keep authentic Hip Hop alive. Check out my facebook page if any. Name- Bill Allonce.

    Post Script- If I’m able to do a tour w/ Dougie Fresh, EPMD, Biz Markie, D-Nice, Kane, Slick Rick & more consider it done as this “Young Blood” has nothing but time to finalize the booking. This week I’m back in the UK w/ Next Selection, Universal Motown recording artist Uness so email me if your serious, as I have the investors & resources to complete such a tour bar none. No inuwindows, so be in touch regarding this. All the best, be in touch, peace & LoVe!

  34. My man Spock stay keeping it real. See the white man will hand it doen to his son while we just sell it to white people who in turn FUCK IT UP commercilize it, max its potential, then turn it in to some other shit i.e JIVE, DEF JAM (even though the latter had caucaisians in its roots they were dedicated the the art form of hip hop as well as jive look at what they produce now) we think we make it and once we think we paid we sellin “I aint tryin to work” that shit niggas say! But just think if Bill Gates was black would he have let microsoft make the whatever hundreds of billions or would he have sold it after the first two or three? Because thats the type of shit we do! It also speaks volumes of the parenting of wealthy blacks because it seems alot of fathers never hand the reigns over to their sons or daughters either because of incompetence or a lack of hunger due to all of the trappings of their lifestyle check Bill Cosbys daughter as just one example. The Game Is Fucked yall and all our shortcomings as a people will be exposed you already seeing asians beating brothers in hip hop dance compititions white boys from the burbs with hella spit man they creeping up on us on something we had a stronghold on with something some of us dont use enough WORK ETHIC! Jermaine thank god your father was a real brother and showed you your way even if he didnt push it on you he let you fall in love with it and led by example.

  35. THEY SAID WHAT THEY HAD O SAY AND MOVED TOWARDS A DIFFERENT DIRCTION DO THAT OTHERS CAN TELL THERE STORY.

    SOME OF THEM JUST GET OLD AND DON’T LOVE IT THE SAME

  36. There is definitely a fan base out there for these type of shows..i saw a show last yr with Mc hammer..Mc Lyte ..Whodini..Big Daddy Kane..very nice show..I think that the old school ppl dont have the money to put up to promote themselves ..many of these artists were not privy to prime contracts and signing for alot of money. So they dont have the resources!

  37. I’m learning this very lesson in school right now. Our teachers do not accept the way technology has changed and how we must change with it. Same thing with our parents and grand parents, my mom just started to figure out how to text. These hip hop pioneers seemed as if they resisted change. When myspace and facebook and all of these outlets became available to the public, many did not take the time to invest in understanding the change. We can not deny change; change is inevitable growth is optional. No one took the time to grow as the hip hop game grew and as the world changed around us. Jd on many a days I read your quotes and become inspired to never give up on my dreams and more importantly myself but somewhere along the way the game caused these rappers to give up. That’s the message the someone perpetuated to them. The first person who made it ok to rap about all this money, and clothes, and not talk about what was real in these streets. What happen to the Marvin Gaye, “Whats going on” type rappers? The average nigha not balling, yes we need to dream and see that we can reach that level but what about keeping it real. We in a recession but rappers still talking bout money??? Where are the rappers who still have the foot in the streets and connecting to the average person, the same person you want to buy your cd. We lost that in our generation and there are few, kayne, t.i., nas, common, who still speak potently about world events and real issues but there aren’t many. You continue to ask what’s wrong with hip hop? Why not show your fanbase, the lifers ,real mc’s, let them kick it with us too. Include them in songs and in the recording process. I want to know how you are going to help fix hip hop. I heard you must be the change you seek to see in the world. So what do you resolve to do about the game?

  38. JD! u got me thinking yet again! What r&b artists that are old school would ppl like to see perform now or reunite…Music is good but not as good as back then..I would love to see Swv…Envogue..your girls Xscape reunite..New Edition perform with Bobby Brown..Total…Tevin Campbell.. Atlantic Starr..Jeffrey Osborne..the list goes on and on. With the right promotion those tix would sell like hotcakes.

  39. JD,
    You have to take this into consideration;” love, admiration and respect are no longer within HipHop” That’s what gone! THE LOVE! THE RESPECT! Nobody now remembers RunDmc, Whodini ,The Juice Crew ,KRS 1, Slick Rick, Dougie, EPMD, LL in his youth. The new industry views them as old and corny now. What about the microphone fiend Rakim! Damn, that motherfucker right there literally changed to game. Then from BK came one of the of the best that every did it, Big Daddy Kane. JD, do you remember Kane … Come on … Kane … This dude had swag b4 there was swag … Ice Cube first cd .. Das ex .. Special ed .. It’s to many to name. Within other genres of music their elder statesmen are revered. We disrespect ours … So what happens is they simply disappear. Can’t image how demeaning it might be for someone who is no longer viewed as relevant because of their age. Because they’ve gotten a little older their not nice anymore? Really .., Nas is not nice? What about Kane, Snoop, Nelly or Jay? I hear new dudes saying things like;” get the fuck outa here old head, let us get this money”. What kinda bitch shit is that to say? They sell some records and forget who was getting it when they couldn’t pay a motherfucker to listen to them. What another dude eats doesn’t make them shit. Where’s the love?? Ozzy Osborne is a derelict and the rock world worships the ground he walks on. You would never hear a new band go at him. What about Teddy motherfucking Riley .. Teddy motherfucking Riley .. I’m from NYC, you couldn’t image how hot this dude was in his prime, well you could because I’m pretty sure he was one of your initial idols. Even you, don’t get it fucked up, my nigga you gets busy!!! Now you got dudes on blogs disrespecting other producers who were relevant prior to them every having a hit. JD, you remember when they were rapping and realized where the money truly was within the industry. What’s fucked now is the rappers of today are confusing their completive nature with combative behavior. Now, everybody hates everybody. You know what’s the wackest shit ever. When a dude is asked who he’s listening to and his response is; “nobody really, only me and my crew”. Fuck otta here .. You and his crew are garbage .. Dudes mentalities are fucked up , niggas want to be Tony Montana. Shit, Sosa was that nigga … You see how his character was getting it and when your boy Tony got out of line they came and aired his ass out! Their misconstruing the artistry of music with record sales, swag and designer labels. I read somewhere that Usher’s last CD wasn’t as critically acclaimed as Confessions. Nigga, you know how much pussy I got off; ”Here I Stand” .. Shhiitt {like homeboy from the Wire} …
    I watch your YouTube show every day and truly appreciate the fact that African American are getting an opportunity to live a life of opulence. The entire Oceans crew including your extended family enjoy the villas, cars, and clothing. Get money my NIGGAS, I love that shit. When I view these wack ass internet sites with the gangsters hiding within their homes behind a computer I fucking can’t stop laughing. In my day, if you said some foul shit about someone you had to knuckle up or get fucked up. Now, people can talk about anybody and hide. Jay-z for example is one of the best that every did it, some consider he within the five greatest mcs dead or alive. How do you hate a dude like him and yourself ? HOW? Remember Jay’s line from Big’s “I love the dough”. “You cats is home, screaming the fight’s on I’m in the fifteen hundred seats, watching Ty-son. Same night, same fight but one of us cats ain’t playing right, I let you tell it”. These new niggas are the worst kinda nigga, bitch made. Their hatred can’t appreciate and accept another’s man’s success.
    Usher, Johnta, B. Cox, Tyrone, Trey, Nelly and Bow, continue to get that money playboys .. Drive them cars, get these broads { the one’s who are single} and continue to be a rock stars .. Fuck the hate …!
    Continued Success,
    Skip618

  40. People, I’m not sure, but I think what JD meant was… why do so many people that established themselves as artists didn’t have the sight to take on a career as a&r, producer… something!! after they had a successful career as an artist. They have so much insight and know what peaople want and what the music needs and still let other people do the job. why?!?

    Now think about it.

  41. it’s like driving a route a thousand times and having a passanger tell you where to drive and when it comes to somebody taking over the steering wheel and you got the chance to be the passenger to tell them where to drive and how to drive the fastest and safest way you just say: NAW, I don’t wanna do that. Get that guy out there.

  42. @ Kandi .. I understand how you feel about uncut. Nelly’s tip drill video was on their and them girls from Spelmen was making a big deal about it but when dude was trying to help his sister with her bone marrow problem them same girls at Spelmen didn’t have anything to say and didn’t help the cause. I was very upset about that.

    It’s hard for independent labels like mine to get on BET or MTV because all of those shows that you watch on TV have been paid for. The major labels pay from the top.. In other words, the top executive at Sony Records, has a relationship with the top executive at BET. The Sony exec with break bread with the BET exec or the Clear Channel exec for TV and radio play. That is why we have a play list and every station across the country sounds the same. That’s why Maria Carey’s people got in trouble about that TV awhile back,,,look it up. Why do you think so many dope boys are in the business? You need more then talent you need money..UNLESS you hook up with somebody that has money THEN you are going to get pimped. This is how the business works.

    I agree that BET Uncut didn’t show a lot of respect for woman, but it was still an outlet for the independents. One that is now gone!! Did Bob replace it with anything? NOPE..

    SPOCK

  43. @sean psalms Thanks bro

  44. @r frankin…..wwwwooooowwwww great point on the ozzy stuff I didn’t know that.. Hell no Luda ain’t going to help you get on because look how he was taught? The nigga was on the radio everyday rapping. A producer FROM ANOTHER STATE…TIMBERLAND,,,saw the nigga had a gift and worked with him first BEFORE ANY OF THESE ATLANTA PRODUCERS did. THEN the nigga still had to do the whole independent thing before Scarface put him on. THE SO CALLED LEADERS IN HIP HOP HERE IN ATLANTA,,once again was either sleeping or were too concerned with themselves.

    People don’t learn by what you say, but by what you do. That was the lesson that Luda was taught getting in the game so do you except him to be any different? Ozzy…damn that’s real.. thanks for sharing that.. When I get on I am going to give niggas my phone number. I am going to always keep it 100%, that’s the only way to get respect. Hip Hop is real messed up right now. It needs some new blood, but the people that can help don’t want to share that light, but soon enough they won’t have a choice.

  45. At twenty three it sucks to listen to music that sounds good but has no subtance. Back in the day rap music was fun and playful. Some of it also incorporated a meaningful message.
    Remember Fight the Power…lol at Flavor Flav…….

  46. @Spock, I get what you are saying…yes its hard for independents but you have to to work hard and build relationships. If a kid can (SouljaBoy) can make beats in his bedroom and sell a million records with hard work then everyone else can too.

  47. ok well maybe not EVERYONE else but you have to work hard and make music that you believe in, not just shit thats gonna sell once and never again. Dont follow the trends be a trendsetter.

  48. ALSO, people might of abandoned ship becuz they were tired of people putting their friends ON !! This is the number 1 industry where it really is “ITS NOT WHAT U KNOW, BUT WHO YOU KNOW”!!! You”ll have the dopest rappers put out their friends, like they are HOT when they SUCK !!! And record sales often prove that much, but then you often hear from them suckers again…….lol

  49. 4LifeEnt215 is a faggot and sucks your dick. he wants to be down so bad.

  50. @r.frank, thats the realist them rock niggas give all they people a chance that shit had me contemplating starting a band and Travis McCoy this bitch my nigga aint trippin and gettin his paper! Luda them niggas SHIIIIIIIIIIT! They aint puttin on shit the new guy could be next hot shit “HE AINT TAKIN MY SPOT” type niggas they are killin the game with that selfish way of thought shit JD I gave ya boy Nelly my groups album sitting in front of his Phantom during a break at a commercial shoot we were extras for. Not no blank disc shit fresh from discmakers artwork photos the works THIS NIGGA looked at it and literally pushed it to the side in my face we were chillin had a little down time he could’ve popped it in his cars soundsystem right there but the nigga was NOOOOOOOOOT gonna bump my shit ever at all never and by checking his track record he aint put no relevant niggas in the game niggas cant be #1 forever thank god Quincy Jones wasnt on some “I aint giving Michael no beats” or if LA and Babyface were like “we’re keeping all our songs for our shit” where would R&B or popular music be without their contributions what im saying is FUCKIN SHARE!! lol (I just smoked a blunt kinda lost train of thought for a sec! 🙂

  51. Why won’t somebody say really what happened to hiphop? We have been dancing around it for the past 2or 3 days, the drug dealer turned rapper infllitrated hiphop just as he did in the hood. You ask where did all of the old school guy’s go, they were forced out because the status quo became popping bottles, bentley’s, triple decker’s, things that white people have been doing for years. But somehow it was allowed to made anew how old is GUCCI, PRADA,RANGE ROVER, D6G ETC…. you follow me right. These guy’s are smart because just like preyed upon their own people in the hood they managed to dupe the mainstream and perpetuate a culture that says it’s alright to not wiork and make alot of money wear nice clothes, drive fine automobiles, stay in a big house and girls, girls,girls. We all know that this does not last even the DOPEBOY / RAPPER’S favorite movie SCARFACE it did not last. To me the some of the songs are really nice the beats most of all, but lyrical content is the same ole shit. I sold this or that , had sex with this one and that one , bought this car that outfit all with money obatained off back back’s of your people. Really how long did you think this would last? Guy’s like TALIB and MOS DEF who are trying to tell you what’s going on around you don’t stand a chance in today’s market . Don’t think i’m hatin by any means it makes me happy to see any black person suceed, but i am old enough to know dishonest is dishonest no 2way’s about and the end result most times bad. Our youngsters have been conditioned to believe this is the way to go . We should be tired of this by now because really how many are them really ganster’s , and what the fuck is so cool about risking your life and freedom to pretty much in a nut shell SHOW OFF so to speak. Look at me i got this and you don’t, now with the economic crisis i wonder how many of them regret MAKING IT RAIN now! How can we change this? You can do the same things not as frequent but still you can do them by working hard. What’s wrong with this ?

  52. the music industry is concerned more about business then the artist and i think now days the artist are more concerned about the business side then being an artist but in all honesty you have to be more concerned about the business..i dont really know much about the business side of the industry of music but ima go out on a limb and say ion think these major labels are going to last very long especially with the economy money dont come by as easy as it use to way back when no one is buying music no more especially with the internet i think the industry will survive but the labels are going to have to team up with these computer companies and and figure out a way to make things work but lets be real ion care how passionate you are about music who really wants a major deal right now? i wouldnt want one i would be on my independent shit real hard gettin my buzz up settin my own rules making my own money i agree with a comment someone left who said somethin like the money got slow and most of them found a new hustle i total agree but you know what i miss i miss the fuckin lyrical content seem like the more lyrical niggaz gettin overlooked

  53. the problem is the new guys in the game stress the old school guys ages. the facts are just that simple when ever someone from those days trys to do something they cant even get new deals because there are young people at the companies saying they are too old and the streets aint there anymore. thats why they leave because theres no respect unless you are young . but a hit song is a hit song and has no age. white artist dont have this problem at all . no matter who there are if they have heat it sells and they tour. plus old school acts dont wanna give up all those publishing rights and everything else that it would take for a young executive to even give them time of day so why bother.this the facts and no one will ever go public and fight these facts. because we all know all the hotest acts hace publishing deals thats why they are getting pushed. back in the day it wasnt like that . thats why those old school acts just chill because they can just collect theyre own money. so jd change the game and watch them come back real fast

  54. @Kandi When you say souja boy, I think of Mr. Colli Park, or better yet DJ smuff. Have you even heard of Ying Yang twins? Look it up and see who is responsible for the Ying Yang twins. I personally know Surf and dude gets it. After ying yang he had something to prove and he proved it. Soulja boy use to email my group all the time to try to get on tracks with them, dude just built his myspace page around a younger audience and it worked. Soulja boy had built his own following but the point is is that Surf was LOOKING for a new artist to take the place of the Ying Yang twins. The key word here is “LOOKING”.. Smuff was rapping on on the Ichaban record label with Breed,,,let me not go back,, you are too young to know the history, the point is, Surf looked for a new artist and he found one. Some of these guys have been in the music business for years and have not helped anybody. Keep in mind people are not looking for a hand outs. Success is when opportunity meets preparation. I have been getting lots of producers and artist from Global14 asking me to listen to their songs, and I listen and get back to each and everyone of them.

    Dude made a comment about Nelly not listening to his CD, let that fuel you dude, because if you ever get on, you should talk shit about Nelly every chance you get. I know I am going to be calling niggas out. I just got to keep it 100..

    James Brown said it best….I don’t want nobody to give me nothing open up the door and I’ll get it myself. For some people the door was opened a lot easier then for others. But pray for me yall, when I get in, I’m going to bring a lot of people with me. I just gave Sean Garrett some of my songs,,,Please brother write to them damn songs!! Dude is still humble and will work with anyone regardless of their track record. A hit record is a hit record, it don’t matter where it comes from; he understands this. One placement and its on people.

    SPOCK

  55. MY QUESTION TO YALL IS WHY DO YOU THINK THESE GUYS HAVE ALL ABANDONED HIP-HOP OR AT LEAST THE THINGS THEY STARTED?

    Jermaine,

    I wouldn’t say they have abandoned it. Unfortunaltey HipHop/Rap is a Genre where there is a ‘age limit’ to making music. It’s not like R&B where The Isley Brother can drop some tracks now and It aitn a thang or ever Tina Turner. And it sure as hell aint like Rock whur KISS and lots of Old hairbands or rockbands still are on tour to this day and will sell out a show…etc. There are unwritten rules within the genre of hip hop, and one of them has to do with ‘giving it up’ when you hit a certain age.
    The majority of Hip Hop artists aren’t known for their longevity in the music., there are only a handful of artist that have managed to stay relevant pass 5 years. Nowadays you continuous see new artists being churned out by labels to jump on the bandwagon of a certain trend and make a quick buck. Almost every artist that drops is called a Young this or a Young that. Once again bringing to the forefront that unwritten age rule in hip hop, i.e. If you in a certain age bracket you nor your music needs to be around.

    I’m sure Big Daddy Kane and the lot of them would still want to be around now doing their thing but hip hop has changed since their time (right now its repeating some history though, as most things in life usually do). When the whole hip hop movement started dudes danced and it was whatever, then it moved into the ‘NWA days’ where it was all about being hardcore. Now it seems to be loosening up a big more with lots of ‘dance tracks’ being made and popularized by the likes of Souljaboy.
    Currently Hip Hop is filled with TONS of copycats and hardly any originators. The majority of the artists don’t love the music like they are suppose to, its all about making money. And you can tell who love it and who don’t by just their lyrics. Personally I can only take so much ‘riding on 24s, ice is froze, smoking dro, slapping hoes, swag on bgllian n 4’ lyrics okay. We get it, you made cash and invested (sometimes wasted) it on some shiny assests. You only need ONE song about that stuff, then maybe a club/dance song here and there, but for the most part they need to show their lyrical skills.
    Hip Hop is the most show boat genre of music out, perhaps the only one. I never see like Fall out Boy calling out The Killers in their lyrics, songs or anything and putting each other down and all that. They come into the game, play their instruments beautifully and have awesome fun and sometimes deep lyrics, you know real musician, not the fly by night bull shyt one’s, that mostly make up the hip hop and R&B Genre. Oh and don’t get me started on that ‘sing-talk’ mess that’s SATURATED R&B Nowadays.

    did I go off track? Haha I think I answered your question in the beginning, then kinda swayed to the left a bit, nehoo yeh….um the end

  56. Music evolved. Period. There are a lot of old school kats trying to get back in the game here, and the overall sentiment is that they should just go and sit down. Why is this? Cause they still tryin to bring back the music that got them popular back when they were on top, but music culturally now is not about what was. It’s about what is and what will be. Music is always looking forward, granted there are trends that people seem to hop on and they wind up being new school one hit wonders. Seems like people now are all about that guap and not about diversifying and making that good good music. The focus got lost somewhere when music evolved. Nobody is pulling down insane amount of numbers in terms of crowd size or album sales, except for an exceptional few.. If people make music because they’re passionate about the craft then music can rise above just being about the dollar.. Those old school kats did just that — when they said hip hop was wack, they still put it out REGARDLESS. And then American society hopped on the bandwagon, but now it seems like America is saying what’s hot and what’s not, and people are following the trends instead of making them like they did before.

    I still love hip hop.. keep it true, and always funky fresh.

  57. i think they do it for the money..
    make that 1 good hit, get your cut
    and bounce, cause they cannot
    think of anyother way put the artist out
    there.. because they cant do their own jobs. lol

    Smile Always
    -V

  58. @Spock You dont have to school me too much, I turned 33 today. My point was that kid made his way, he heard exponentially more No’s than Yes’s and got shit on by most of the old school rappers when he got in the game. I personally hated that song and the dance but I admire his hustle. I look at it like this, if you are in the business for the love of the music the money will come and nothing can stop you from success. But if you in it to get rich, you’ll be broke before people even remember your name.

  59. “The major labels pay from the top.. In other words, the top executive at Sony Records, has a relationship with the top executive at BET. The Sony exec with break bread with the BET exec or the Clear Channel exec for TV and radio play. That is why we have a play list and every station across the country sounds the same. That’s why Mariah Carey’s people got in trouble about that TV awhile back,,,look it up. Why do you think so many dope boys are in the business? You need more then talent you need money..UNLESS you hook up with somebody that has money THEN you are going to get pimped. This is how the business works.” -Spock

    This is what is the death of all black music-hip hop and r&b. We are being sucked up and sucked dry by the big companies like Universal. They make all they can off our blood sweat and tears then under promote acts when they are through with them or somethin they deem more profitable comes along. The radio industry used to have room for the artists on major labels, indie labels, the breakthrough artists and music that was unique to each city or region based on what the listeners like. Now we are becoming a land of mindless trolls that are only open to what is dictated to us.

    Sorry JD! This did not answer your blog. I just had to get it off my chest lol. In response to your blog, it is a combination of the answers that have been already posted but especially the ones about our culture living the disposible, drive-thru life. It is like we don’t have fathers to show us the path to go, so how can we be fathers to others? And unless our mothers are strong and willing to keep kicking our butts to do the right thing, we want what’s ours and then that’s all we need.

  60. Hey JD…did you forget that there were people before our generation. We miss the ol school because times change…music changes…everything changes. Sometimes you just have to make room for new things to happen. What’s messed up is that we never know if its for the positive or negative. Yes our ears are bleeding to Gucci Mane and bullshit like that, but there is still quality music being played and embraced. Don’t lose faith. What you need to do is get some kind of coalition going against these radio stations and record companies that keep supporting this wack ass shit they keep putting out. If I hear another Gucci Mane and OJ the “orange juice” dude marathon on another Chicago radio, I’m gonna scream. They play it so much, I find myself singin Aye! “screaming”

  61. WELL….JD…..I THINK YOU HAVE TO LOOK AT IT FROM THEIR POINT OF VIEW!!!! THINGS HAVE CHANGED SOOO MUCH FROM THAN……IT USE TO BE COOL TO BEAT-BOX AND FLOW BUT DAT WONT MAKE IT VERY FAR IN TODAY’S WORLD….CUZ PEOPLE ARE SSSOOO USE TO DAT “DUMB” MUSIC….LIKE “GET SILLY”……NO OFFENSE!!!! I THINK THEY JUST GOT OLD AND JUST DECIDED TO PUT THINGS UP…..JUST THINK ABOUT REV RUNS SITUATION…..REV….JUST GOT TOO OLD FOR DAT AND GOT MORE INTO CHURCH…..IT HAS A FAMILY NOW AND BEING HOME BECAME MORE “IMPORTANT”…….BUT HE STILL TENDS TO DO THE LIL RAP THANG FOR “SPECIAL OCCASIONS”…..!!!! THINGS HAVE CHANGED ALOT!!! THE DIFFERENCE BETWEEN YOU NOW AND DEM IS DAT UR STILL IN DIS BUSINESS AND MAKING MONEY 4RM IT….SO TO SEE BOW WOW GOING THROUGH WAT HE WAS GOING THROUGH….IT WAS KINDA HARD FOR YOU TO ACCEPT DAT!!!! FOR DEM…..DEY JUST REALLY HUNG THE WHOLE THANG UP CUZ DEY MAY FEEL LIKE THEIR TIME IS UUUPPP…..LET SUMBODY ELSE HAVE A TURN!!!! YA!! KNO!! I THINK ARTIST DAT ARE IN THE GAME NOW AND HAVE BEEN IN IT FOR A WHILE…..LIKE “LL” OR “JAY-Z” OR “NAS” OR “SNOOP”…..SHOULD STEP IT UP AND BE WHAT THE “LEGENDS” CANT BE!!!

  62. How long are they supposed to continue. JD? At what point should they stop? Doug E, Big Daddy Kane, LL and a bunch of the old school artists are in their 40s. What are they rapping about that the average aged music buyer and audience can relate to? After a certain point, I think they should retire to save themselves the embarrassment of looking ridiculous. They have had their time in the spotlight but I think with Hip Hop, they should hang it up after a certain age.

  63. i think a lot of the promoters from back in the day and the originators of the different styles of hip hop were in it for the actual love of the music and the love of the fans and if they got some money out of it then it was just icing on the cake. it wasn’t about EVERYONE INCLUDING THE FANS knowing how much your advance was, how many albums you sold and how much you had to sell before you were able to make a profit. granted, quite a few of the originators went crazy with their funds (as in every genre of music) and may not have been looking at the long term but you can tell they loved the music and what it represented. the more recent artists are coming out as business men and women 1st and artists 2nd and they are taking advantage of every available means they possibly can. this can be discouraging to originators who feel there is no market for them when they see and hear what’s out there now. some even think they have to change their style to stay relevant and when some of the newly established artists/producers tried to put them on and change their style up, it didn’t sound or feel authentic and some may not have done very well.
    the originators matured, had kids and are on to something else. some don’t want to get involved in the game anymore and not because they were forced out but because they walked out before they were kicked out. gotta respect that.
    promotion is also a major factor. believe it or not, there are still lots of people who don’t use the internet and don’t want to know about myspace, imeem, youtube, facebook or just a regular web site for an artist. but people still listen to the radio and people still watch tv and people still see billboards and pasted ads on the wall. there is a market for a “fresh fest” tour but if people don’t know about it then how do you expect them to support it?
    another issue is financial gain and egos: the people want to support the originators but if the originators don’t want to show up unless they get a larger cut instead of just doing it for the love and the fans then it’s an issue for the promoter, an issue for the other members on the tour and the fans lose in the end because they didn’t get a chance to enjoy the music and support the originators. yes, we all have bills to pay but what about the love of the art form? what about the love you had in the beginning? who wants to pay $75 to see a tour and 1 or 2 artists cancel because “the money wasn’t right”?

  64. it could be several reasons:

    1. mismanagement of money and egos – the promoters from back in the day could have got rich, but jacked it off as a lot of “us” do. plus their egos get out of hand, and eventually it affects their business.
    2. cashed out – they probably set a financial goal for themselves and just cashed out when they reached that point. as people get older, things like family become more important.
    3. victim of copy cats – i see this time and time again JD. when one promoter does his/her thang, here comes another one implementing the same idea into their event/concert. once everyone else does it a million times, why even continue to promote yours? its just too many nigs doing the same thing. so much that the consumer or partygoer is just OVER it!
    4. can’t keep up with the joneses – everywhere you turn there’s some new in marketing strategies. from myspace, facebook, twitter, etc…its hard for some “old school” promoters to keep up.

  65. someone said when some of these artist get near forty what can they rap about and they should stop before they embarass them selves. i guess jay-z listen and diddy and there are others. the things is if you are near forty and you are the one writing the checks its cool because you set the rules. russell simmons should retire but he seems to stay important. the real qusetion is black music is it hip hop or is hip hop a part of black music? it seems we must get the story right in order to embrace all black music. the last time i checked black music has been around longer than hip hop. trust me i love hip hop more than i can say . but black people roots in music goes deeper than one flavor. we should never ever abandon our history for only the stake of looking hip . we are the biggest innovators in music and we should be proud of all we do not just a part. its up to people like you jd to make the youth understand. to be honest what ever we teach people about us they take it as being hip period without question. we can get with soulja boy, gucci mane ,usher, trey songz, and the isleys and still be cool with all the new music they decide to put out. overseas they embrace everything black music has to offer and you know that jd. we need to get our people here to embrace black music as a whole.

  66. Just wanted to comment because I think the same questions can be asked about music in general or maybe that’s just how I see it. I listen to Hip-Hop but I am more of an R&B chick and my friend and I were having the same discussion about R&B. We were listening to an Atlantic Starr album but we were basically asking each other what happened. We use to have a lot of old school concerts here in Denver and we still do but they are not the same anymore. I don’t get the same feeling from R&B now that I get from old school R&B but like I said maybe it’s just me!

  67. J,
    I believe that the MC that made HipHop becuase we left them. When the newest things come around its no longer cool to still listen to them are roll with them u need to jump on the band wagon with the new. As HipHop changed were did they fit in the grand of things. Were does LL fit with bow are Slick Rick fit with soulja boy. I dont think that its a bad thing were thing has its time and place in this world not to say that they time is up. I still jam my old school real loud.

  68. This Is Some Real Talk JD & As Bow Is Mentioned In This, iThink He Should Read This TWICE Over Before He Quits Rap To Persue The Actin Career!

  69. My girl can definitely take a hint, not sure what she did but we’ll be wishing you the best from afar, no more comments!

  70. on a side note: much love to run dmc, bobby womack and little anthony and the imperials for their recent (but long over due) induction into the rock and roll hall of fame.

  71. MAN THESE CATS DONT HAVE ENOUGH FORTITUDE TO RUN THE LONG RACE. I THINK EVERYONE SETS THESE SHORT TERM GOALS AND WHEN THEY ACHIVE WHAT THEY WANT, THEY THINK THAT’S GOOD ENOUGH AND MOVE ON ONLY TO BE UNSATISFIED IN THE LONG RUN. CATS NEED TO REALIZE THAT WHEN YOU MAKE IT IN THIS BIZ AND YOU ARE A SUCCESS YOU HAVE INFLUENCED THOUSANDS IF NOT MILLIONS OF PEOPLE WHO LOOK AT WHAT YOU DID AS AN INSPIRATION. YOU HAVE A RESPONSIBILITY TO YOUR FANS, FRIENDS, AND PEOPLE TO KEEP IT GOING TILL THE VERY END. IF YOUR BIZ GOES UNDER THEN YOU TRIED AND AT LEAST YOU HAVE THAT. BUT IF YOU ARE A SUCCESS AND JUST QUIT BECAUSE YOU HAVE MADE ENOUGH MONEY IN YOUR MIND, YOU ARE MISTAKEN AND SELFISH!!!!!

  72. The only answer is lack of passion and love from the start……………

  73. Honestly, I think the answer is simple….. Hip Hop isn’t FUN anymore.

    OR…

    Because it’s a money thing with the mentality of “I got mine, you get yours.”

    -Nisha
    XOxo

  74. I think artists put a mental age limit on Hiphop and give up. when a rapper get in his 30’s he wants to settle down and leave the game to the young cats. By example You(JD), Jay-Z, Mary J Blige,all have staying power and doing what you love… it’s like wallstreet.. the young MIT,Havard kids come in with new technology and the old heads sell their share of the company for some odd million or billions of dollars. And that is the reason why the game is constantly changing.

  75. Real Talk JD,

    Shyt is Fucked Up Out Here! I believe Music Dictates Peoples Thoughts And Actions. JD and the rest of Oceans have the talent and ability to do that. Sometimes I think Artist and Producers forget the True Power and Influence they Have On thier Fans…nah Fuck that The World!! Real Talk tho People Losing Hope Out Here. Bring That Real Music Back. I’m talking bout that Music that give you chills when you hear it. That Classic Usher, That classic Monica. Dondria and Trey I feel have the voice and talent to make CLASSIC ALBUMS. Im 18, My generation don’t know nothing about that. They don’t know what it’s like to play an album from beginning to end and every track is LIKE THAT!! Nowadays people drop albums wit three or four good songs. Then want us to go to the store and buy they shyt. THAT’S NOT IT!!(Tyrone voice)..lol! Damn I kno this a Long azz comment but one more thing….Everybody keep asking whatz wrong wit Hip Hop? Whatz wrong wit R&B? The answer is simple it AINT NO SOUL in the music no more! SOUL is what both Hip Hop and R&B was created on. JD BRING THAT SOUL BACK!!!!!!!!!!!

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