Jermaine Dupri Tour Dates

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MONDAY 10/27

Lets keep it 100
The state of R&B is in really bad shape,most of all the mainstream outlets are now ran by younger people who know very little about true R&B, and don’t really care,this is forcing artist to stop doing what they love,stop writing great songs,stop singing and wanting to be rappers,or at least do rapper like things,
When I post about new music,most of the comments I get are,jd bring back that good shit,instead of all this BS on the radio,
With that being said,All of you that feel this way,all of you that love great music,I ain’t to proud to beg lol,I’m begging you, pls pick up this new JE album,and help us restore the feeling, 10/27

ORDER


Sony Hack Was Not All That Sophisticated, Cybersecurity Experts Say

The Sony hack is a hydra-headed monster of a story, emerging from the sea late last month to descend on Los Angeles before going on to smash across the country, sprouting new heads as it went, dragging the badly battered body of a colossal global corporation in its dust.

A previously unknown group of hackers calling themselves the Guardians of Peace have become the subject of hundreds of articles splayed across every conceivable media digestion surface in the United States. This week it has become the stuff of both national security and mass market consumption, as Sony preemptively killed its buddy-comedy-cum-espionage-thriller The Interview in response to physical threats the Guardians of Peace made against moviegoers.

Then Friday (Dec. 19) the FBI released a statement confirming suspicions of North Korean involvement in the exploit:

“As a result of our investigation, and in close collaboration with other U.S. government departments and agencies, the FBI now has enough information to conclude that the North Korean government is responsible for these actions.”

North Korea has subsequently denied any involvement.

This is quite possibly the most high-profile hack of all time. But according to security experts Billboard spoke to, it was by no means the most sophisticated.

“Going by the technical details that have been made public, we are not seeing some great level of sophistication here that we have seen in other attacks,” Marc Maiffret, longtime hacker and the cybersecurity technician credited with discovering the first Microsoft computer worm, told Billboard.

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Stuart McClure, CEO of cybersecurity firm Cylance, deems the Sony attack “the biggest data dump the cybersecurity industry has ever seen.” He also said there was nothing terribly technically profound about the exploit itself. “All that is total garbage, straight out of Hollywood,” he said by phone. “There hasn’t been anything really new in 15 years, minimum. It’s the same stuff over and over again — because it works.”

Sony declined to comment for this story.

McClure worked for McAfee as global CTO in 2011 when they were hired by Sony in the aftermath of the Anonymous hack that bedevilled Sony’s Playstation division that year. In recent weeks he has analyzed samples of the data surrounding the most recent attack, though he is not currently working with Sony. He has occasionally delivered keynote speeches on security issues at entertainment industry conferences.

“With the Playstation hacks, Anonymous didn’t use anything unique and were able to get in easily and stay a long time,” McClure said. “I got the impression that [Sony] executives didn’t care. Some basic technologies could have prevented a large part of this. This level of destruction of a company on American soil is unprecedented, but my 15 year-old could have written the code.”

A letter circulated to Sony Pictures Entertainment employees by CEO Michael Lynton contained the comments of Kevin Mandia, chief executive of the security firm Mandiant, which was hired by Sony to investigate the hack. In the letter, which was subsequently leaked, Mandia characterized the attack as “unique”, “unprecedented” and “undetectable by industry standard antivirus software.” In a phrase calculated to the rigours of legal liability he wrote that “neither SPE nor other companies could have been fully prepared” for the attack.

Both Cylance’s McClure and Kevin Mitnick, “the world’s most famous hacker,” claim that the attack was neither unprecedented or unpreventable.

THR: Obama: Sony Made a Mistake Canceling ‘The Interview’ Release

Mitnick had a tumultuous first three decades as a hacker before establishing Mitnick Security Consulting, a firm specializing in penetrating clients’ security systems for hire with both technical exploits and social engineering.

“It’s not [Sony's] fault that they couldn’t prevent the breach, Mitnick said, “but it is their fault if they were apparently unable to detect it, probably for months. The biggest surprise is the amount of data they were able to exfiltrate.”

A statement released by the hacking group claimed it had pilfered 100 terabytes of data from Sony’s servers, an enormous trove greater than the entire contents of the Library of Congress. The data released so far includes complete records of executives’ emails, sensitive employee information including social security numbers and health care data, along with Sony Pictures’ movie projects in various stages of development.

McClure said that his research leads him to believe the breach was accomplished through some sort of social engineering, rather than by a computer program.

One striking thing to have emerged from the data that the Guardians of Peace have so far disseminated is the lack of security around passwords at Sony, including the revelation of an embarrassingly simple password CEO Michael Lynton was apparently using. It’s a clear sign that the company did not have sufficient corporation-wide password standards.

“There was clearly stuff going on with Sony’s security that was well outside of any industry best practice, and these were not one-offs but occurred en masse,” said Maiffret.

McClure noted that using even the basic encryption tools native to Windows may have prevented a good deal of the damage.

Electronic Frontier Foundation staff technologist Seth Schoen says that compromised passwords are a likely vector of infiltration in the hack, especially given Sony’s size.

“There is a password reuse epidemic,” Schoen said, “When attacking a large organization, hackers could try to find the names of people that work there, then look to other sites where passwords have been stolen, looking for matches. Next, trying those username and password pairs at the organization’s sites. As organizations get bigger it is more likely there will be an overlap, the odds just get better.”

It remains unclear how far into Sony the data dump will reach. Thus far, only Sony Pictures Entertainment has been directly affected. Mitnick says it’s likely the contagion could have spread to other corporate divisions like Sony’s music division.

“There are usually access points [from one division to another],” he said.

McClure noted that, given the level of access the hackers were able to achieve, “gaining the same level of access into the other properties would be trivial.”

The information that the hacking group continues to release is providing the general public with an incredibly high-def look into the workings of the entertainment industry. The fallout could be enormous, as internal profit reporting is compared with public disclosures, say, or as the details of various deals are scrutinized by stakeholders. Already, some Sony employees have filed suit against the company for failing to protect their private information.

“At this stage in the game, not having good information security is negligent,” said Tor Ekeland, a New York attorney specializing in internet law, “and on the face of it, it appears [Sony was] very sloppy.

Sony may have a difficult time trying to suppress the information from being shared and published, although they have hired attorney David Boies toward that end, a man whom Ekeland called “the best trial lawyer in America.”

Leslie Frank, a partner at the law firm King, Holmes, Paterno & Berliner, who specializes in entertainment copyright, says that Sony is unlikely to sway a court that publication of its internal documents is not protected by the First Amendment.

“Obviously Sony would prefer that none of its internal business was revealed, but it doesn’t fall out of First Amendment protection just because it was a hacking,” Frank said.

“Courts try not to decide First Amendment protection based on the content of the speech, but rather whether there is a public policy interest in protecting it. I can’t think of one reason that publishing this information would counteract the protections of the First Amendment.”

While the scattered viscera of a global entertainment giant are hard to ignore, there is much more at stake in this saga.

“Beyond who emailed what to whom, or whether North Korea was responsible, hacking now is on the level that someone could hack a huge corporation like Sony for a physical world material benefit. Everyday types of hackers are going, ‘Wow, I can have that same effect.’ Where does it go next?” said Maiffret.

The success of the hack could inspire copycats, and this type of damage could spread on its own hype. The technical tools to carry out such an attack are out there, and have been. Now the bar has been raised for the type of damage that these tools can wreak.

“It’s fair to say that this attack marks the dawn of the age of cyber terrorism,” McClure said.

Mitnick believes that the US government should release all evidence from the attack to the world’s cybersecurity community, to build trust.

McClure agrees: “The greatest travesty of our industry is that [the details of the breach and attack] will never really be shared,” he said.

It’s unlikely that this story will find a tidy Hollywood ending. We may never know, completely and definitively, who exactly perpetrated these attacks or how. But hopefully every sizeable organization in America will realize how damaging their internal data can be, and protect it accordingly, even if that causes some organizational discomfort.

DallasCowboys.com Staff Writers Share Their Gut Feeling For Cowboys vs. Colts

For most teams trying to close out their home schedule with a 4-4 mark, they’re usually not at the 10-win mark. But that’s been the case for this Cowboys’ team who is a perfect 7-0 away from home, but has just three wins at AT&T Stadium, the site of Sunday’s showdown with Andrew Luck and the Colts.

The Cowboys don’t need to worry about their surroundings, knowing they need just to keep winning to claim the NFC East title.

Here are the gut feelings for staff writers Nick Eatman, Bryan Broaddus and David Helman.

Bryan Broaddus: This game against the Colts comes down to one simple factor for me – can this Cowboys secondary match up against these Colts receivers and tight ends to take them out of the game like they did the previous week against the Eagles? My gut feeling is that they can. With the likely hood of no TY Hilton in the lineup it will certainly make their job much easier. The Colts will not be able to run the ball and with their make shift offensive line getting pressure on Andrew Luck is a real possibility. I expect that the defense will take an aggressive approach in the way they attack Luck but also do the same with these receivers. Look for plenty of man coverage across the board denying windows for Luck to throw balls in which when that happens tends to hurt his accuracy. Cowboys secondary wins this game 31 to 17.

 

David Helman: Maybe I finally believe this team is different from the ones that came before it, because I actually feel confident that the Cowboys can handle business this weekend. I know DeMarco Murray and Zack Martin might play hurt, and Doug Free doesn’t look likely to play at all. I wouldn’t feel good about that if this were Week 3, but the end is in sight. If the Cowboys can find two more wins – or potentially even just one – they’ll have reached the playoffs. That in itself is some strong motivation, especially since the Colts are already in the tournament, and they’ve got injury problems of their own. So it comes down to this: I think Dallas can stuff the Colts’ ground game, putting the burden squarely on Andrew Luck’s shoulders. Luck is good enough to win this game on his own, but he’s got some pretty stiff competition on the other side of the ball. Even with the injuries, I think the Cowboys can grind out 150 total rushing yards, and Tony Romo will have another interception-free game. Luck is probably going to flirt with 400 passing yards, but the defense will force him into a late-game mistake that clinches the win – something like 34-30.

 

Nick Eatman: All of these gut feelings were written before the Eagles-Redskins game finished. But to me, it doesn’t really matter. I think the Cowboys will treat this upcoming game as if their backs are against the wall, or to seize the moment and go win the division. Either way, this team is playing well right now and I don’t think being at home or away will matter. This crowd will be a good crowd and give the Colts a little bit of trouble- but not much. I think the Cowboys’ offense will be on point and that includes Murray. He may not be 100 percent but he’ll be effective enough. I still think Randle will get some touches and make the most of them. But this secondary for the Colts will have problems all day. Look for Beasley to have another big day as Indy tries to figure out how to stop Bryant but will leave holes. The Dallas defense will do just enough at the end and hold off Luck in the fourth quarter. I see a 28-24 win for the Cowboys.

Halo 5: Guardians MP

Xbox Live’s Major Nelson offers his first impressions of the Halo 5 Guardians beta, included exclusive footage of the first two maps available in the beta, Truth and Empire.

Mariah Carey Basks in Christmas Chart Reign at NYC’s Beacon Theater: Concert Review

The singer takes over the three-tiered venue for a sold-out, six-show run that spotlights her two holiday releases

Few musicians settle into and succeed in the Christmas season like Mariah Carey. Despite her underperforming album releases over recent years, come each December, she reliably reclaims the holiday chart’s top spot with her original pop track, “All I Want for Christmas Is You.” The upbeat seasonal love song released twenty years ago has now held the top spot for a record fourteen weeks — and counting.

It’s an opportunity worth seizing, which Carey finally has — with a sold-out, six-show residency at New York City’s Beacon Theater, ornamented with a red curtain covered in tinsel and snowflakes and topped with an illuminated “MC” wreath. Compiling an 85-minute set list from her 1994 album Merry Christmas and her 2010 follow-up Merry Christmas II You (as well as a few non-holiday hits), Carey decadently delivered all the (very, very) high notes of her many holiday favorites, leaving the audience wishing to Santa for more.

See more Ho Ho Ho! 21 of TV’s Most Memorable Christmas Episodes

Though the concert run comes two weeks after her widely scrutinized, televised performance earlier this month of her signature hit at the Rockefeller Center tree-lighting ceremony, ticketholders eagerly shed their coats and scarves (but kept on their “MC” Santa hats) for her third show on Thursday. After a little girl in a pink tutu began the show with a short “Dance of the Sugar Plum Fairy” ballet, Carey was revealed in front of Christmas tree and framed by oversized snowflakes, wearing her first of three sparkling mermaid gowns with deep necklines, and powerfully belted the first of fourteen favorites into her gold microphone — each time, meeting the vocal demands she recorded two decades ago. The crowd cheered after every complicated run and ceiling-scraping note, as her right hand (dressed in a fingerless glove) either mapped out her notes, pushed her ear shut or held the hand of one of her dancers while traversing the oft-crowded stage.

During Carey’s wardrobe changes, audiences were distracted by kid-filled skits and songs, including a “Santa Claus Is Comin’ to Town” tap dance and a “I Saw Mommy Kissing Santa Claus” duet, as well as Broadway Inspirational Voices’ choir performances of “Carol of the Bells” and “Jesus Oh What a Wonderful Child” — the latter led by Carey’s notable backup singer Trey Lorenz. Her stage was occasionally stuffed with too many acts at the same time — at one point, audiences found themselves watching aerial acrobats, hip-hop dancers, kids and the choir — and pulled out every festive stunt (a dancing snowman, a gift-tossing Santa Claus and choreographed reindeer all clock in throughout). And some scripted pre-song banter fell relatively flat in comparison to her fun, candidly-sung comments of affection to her band and audience — though seemingly introduced like a duet, Debbie Allen randomly appeared to only inform of her current chart reign, and during a chat about what Christmas feels like, Carey asked one child to “do it like we did in rehearsal.”

See more Ho Ho Hollywood! Tinseltown’s 22 Best Christmas-Themed Movies

Whatever the minimal missteps, they were very quickly forgotten whenever Carey began another beloved track — usually from her first holiday album. She shined brightest on the choir-assisted “Silent Night” and “Joy to the World,” and hit the show’s highest note while nearly alone and simply standing still for the octave-jumping “O Holy Night.” And though she comically shut down the first few bars of “Heartbreaker” — “That’s the wrong show, come on!” she laughed — Carey told her fans that someone instructed her, “Mimi, emancipate yourself to sing one or two” of the old ones: “Emotions,” “We Belong Together” and a freshly-phrased “Hero.” She, of course, closed the heartwarming show with “All I Want for Christmas Is You,” complete with every single dancer onstage, plus metallic confetti and fake snow. Because besides the holiday season altogether, dominating a tally for fourteen weeks (out of eighteen total) — and reminding everyone that you actually haven’t missed too many beats over the past twenty years — are definitely cause for decadent celebration.

Set list:

Hark! The Herald Angels Sing/Gloria (In Excelsis Deo)
Charlie Brown Christmas
Oh Santa!
Christmas (Baby Please Come Home)
Silent Night
Joy to the World
When Christmas Comes
Here Comes Santa Claus (Right Down Santa Claus Lane)/Housetop Celebration
Christmastime Is in the Air Again
O Holy Night
Emotions
We Belong Together
Hero
All I Want for Christmas Is You

Email: [email protected]

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PosterTime: James Johnson posterizes Andre Drummond

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